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GENTS

Collins, author of The Rationalist (1994), a Booker contender, shows himself once again to be a daring, unconventional, accomplished writer, with a quirky story of the life and times of a London public toilet. Ez Murphy, far from his Jamaican home, is glad to have any job in the white man's world, even if it's cleaning urinals and stalls. He takes his new job seriously, learning the ropes from his supervisor Reynolds and co-worker Jason, who, like him, have emigrated from Jamaica, but before long he discovers that not all the business in the stalls is what it should be. Ez's place of employment is also a popular spot for ``cottaging,'' the euphemistic term for gay sex used by the white lady from the local Council, which runs the toilet, when she drops in to inform Reynolds and his crew that their cleaning duties now extend to the moral as well as the physical sphere. They oblige by installing a fake surveillance camera—and in a matter of weeks the toilet's turnstile receipts drop by half. Back comes the lady, to inform them that with the decline in income one of them now must be let go, a cold act of white hypocrisy in the face of a job too well done. This prompts Rastaman Jason, already stung by having found a black man servicing a white in the course of their clean-up, to quit and go back to Jamaica. Ez sticks it out with Reynolds, and when the Councilwoman returns yet again with the news that the toilet is to be closed, the two join meager resources to rent the place as their own business, keeping it open and returning it to prosperity by making a few eminently practical, and highly tolerant, decisions. A deceptively simple tale with an unorthodox setting and near- zero commercial potential, Collins's novel covers considerable social ground in a brief span—and is eminently successful.

Pub Date: April 1, 1997

ISBN: 0-7145-3028-X

Page Count: 128

Publisher: Marion Boyars

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1997

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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