The author of the seven-volume Brotherhood of War series takes time out from his ongoing saga of US Marines in the Pacific theater (Close Combat, Line of Fire, etc.) for an urbanely twisty and well- told tale of derring-do in a WW II backwater. In the fall of 1942, leatherneck fighter pilot Cletus Howell Frade (who became an ace in the unfriendly skies over Midway and Guadalcanal) is abruptly recalled to the States. The OSS has picked him to lead an undercover team posted to neutral Argentina, whose coastal waters are being used by vessels from other noncombatant nations to refuel and revictual German U-boats. Raised on a Texas ranch by an uncle and aunt, young Clete is a natural for the dangerous, politically sensitive mission: he's fluent in Spanish, was born in Argentina (to a long-dead American mother), and (through his maternal grandfather) is heir to a sizable petroleum enterprise that does business south of the border. Once in Buenos Aires, Clete gains immediate access to the city's clubby, privileged haut monde on the strength of his family and commercial connections. He also makes peace with his estranged father, an immensely wealthy grandee and former colonel who (though plotting against the Castillo regime with the likes of Juan Peton) agrees to help Clete take out a supply ship as an object lesson to the Third Reich's covert allies. Even so, before he can get aloft to guide the US sub that sends his target to the bottom, the rookie saboteur must evade the clutches of a Nazi se§orita who's developed a potentially fatal attraction for him. In the end, thanks to the ties of honor that bind officers from any country's military, Clete comes through with flying colors while the villains of the piece get approximately what's coming to them. Absorbing, well-written entertainment that's evocatively detailed as to time and place.
Pub Date: Jan. 4, 1994
ISBN: 0-399-13862-5
Page Count: 480
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 1993
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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