Gleeful jumble of Brit-style slapstick, puns, and sly wit. Quite a treat.
Clever potshots from English bestseller Holden (Gossip Hound, 2002, etc.).
Slackmucklethwaite? Where’s that? Next door to the arse end of nowhere, but its inhabitants are a cheerful lot, especially when a posh new development of expensive homes slides into the century-old mining tunnels beneath it. Looks like a front-page story for the local newspaper, the Mercury (affectionately known as the Mockery), and Slackmucklethwaite’s own Lois Lane, Kate Clegg, whips out her pad and pencil—um, she can’t find her pad and pencil. Maybe it’s under the panting, thrusting romance titled Northern Gigolo that she’s penning in her spare time? Well, she still lives with her mum and dad and Gran in a house called Wit’s End, and she’s not going to make a name for herself as a journalist at this rate, is she? Especially not when the Mockery’s new owner, loudmouthed, porcine Peter Hardstone, kills the story. Looks like a conflict-of-interest scandal is brewing, but Kate is distracted by the godlike handsomeness and incandescent sexiness of Peter’s son Nate, who was just thrown out of Oxford for using drugs. He’s a sexy bastard, he is, but could he possibly be the man of her dreams? Oh, dear—he just happened to see her in that yellow-and-tangerine quasi-poncho-tank-top thingy her Gran knitted for her. So maybe not. Oh, who cares about all Hardstones? Kate was working at the paper only for a press credential to go to Cannes and cover the film festival anyway. Off she goes to the land of palm trees and sunshine to goggle at the stars, deal-makers, flacks, and suck-ups who flock there once a year for the next best thing to the Oscars. Holden cuts them all down to size, and our Kate finds true love at last. Along the way, Holden’s deft management of a huge cast of zany types ensures that the breakneck pace never flags.
Gleeful jumble of Brit-style slapstick, puns, and sly wit. Quite a treat.Pub Date: Feb. 3, 2004
ISBN: 0-452-28517-8
Page Count: 384
Publisher: Plume
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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