If Holden’s novel lacks a bit of depth, it is redeemed by the contagious pleasure had in skewering Hollywood hotties and...
This British cupcake of a novel throws a wholesome nanny into the terrifying world of Hollywood agents, actors and hastily adopted African babies.
Holden, author of a number of light farces (The School for Husbands, 2007, etc.), assembles a large cast of, if not quite characters, at least punch lines, that gather in a slapstick climax under the Tuscan sun. Hollywood agent Mitch Masterson has convinced client Darcy Prince, scion of a venerable British acting family, to audition for Jack Saint’s latest sci-fi epic Galaxia. While Darcy’s star is on the rise, his other A-lister Belle Murphy, likened to a stick figure with balloons, is spiraling out of control. Teetering on stilettos with a growling Chihuahua tucked under her arm, Belle has been sent to London to revive her career by doing Shakespeare (and for good measure she’s adopted an African baby she’s named Morning). Enter Emma, a lovely, responsible young nanny—who has just been sacked from her last post when the scheming aristo-nanny Totty de Belvedere sneaks cocaine into Emma’s bag—whom Belle hires to do…absolutely everything. As plots would have it, everyone ends up in the Tuscan countryside—Darcy, Belle and gold-chained heartthrob Christian Harlow, to film Galaxia; Emma to care for Morning; Totty in care of the children she usurped from Emma; a paparazzi fed up with celebrities; and the Fitzmaurice family: father, an MP with a strangely randy constituency, mother, a batty social climber, and young son Orlando, who has had significant flirtations with Emma. Sex is on many a mind, but Darcy, the world’s only carb-consuming actress, would prefer a leisurely meal at hunky Marco’s hilltop restaurant, where the cheese is fresh, the bread crunchy and olive oil is drizzled over everything. She’s beginning to think the simple life of food and love is just what she’s after. In a smash-up finale of epic complications, all is happily resolved.
If Holden’s novel lacks a bit of depth, it is redeemed by the contagious pleasure had in skewering Hollywood hotties and coke-snorting aristocrats.Pub Date: April 1, 2010
ISBN: 978-1-4022-3715-7
Page Count: 432
Publisher: Sourcebooks Landmark
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Feb. 15, 2010
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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