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THE KING OF KINGS COUNTY

A grand work of fiction, epic in scope and intimate in detail.

Terrell (The Huntsman, 2001) returns with a powerful story about the birth of the suburbs and the death of the American dream.

Jack Acheson is a quietly observant kid, and if he’s wise beyond his years, it’s because he’s blessed—or cursed—with a father who refuses to treat him like a child. Privy to the outsized dreams and underhanded dealings of Alton Acheson, Jack becomes his father’s chronicler. His story begins with the birth of the Interstate Highway in the 1950s, and it spans the last decades of the 20th century. A student of Gilded Age titans, Alton has special regard for Thomas Durant, the man who built the Transcontinental Railroad and—more importantly—purchased the land aongside it. When he sees his own chance for greatness in the new highway, he forms an alliance with revered Kansas City developer Prudential Bowen to buy Kings County farmland on the cheap and turn it into luxury housing and shopping centers for the new American commuter. Alton is a confidence man par excellence—a brilliant huckster and an individual with absolute faith in himself. A big man with long, blond hair and a fondness for pastel suits, Alton is a blithely conspicuous loudmouth and a constant source of mortification for his adolescent son. He’s also a spectacularly appealing character, able to turn nearly everyone around him—his son, his wife, his friends—into willing (if occasionally uneasy) accomplices. A clear-eyed visionary, Alton not only anticipates school desegregation and white flight, he depends on it. The fatal flaw in his scheme is not his amoral calculation, but his miscalculation: By the time bussing comes to Kansas City, Alton’s already been forced to trade his rich suburban acres for tenement buildings in a dying metropolis. An honest and unsentimental post mortem for America’s cities, this is also a moving and original coming-of-age story.

A grand work of fiction, epic in scope and intimate in detail.

Pub Date: Aug. 18, 2005

ISBN: 0-670-03425-8

Page Count: 368

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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