A beautiful dose of carnal mayhem set in Purgatory.
This debut fantasy thriller finds an assassin taken out of the killing game only to be thrust into a surreal plot to dethrone a deity.
Former Glasgow street urchin Deborah has killed 38 people at the behest of a shadowy organization called The Orchard. Her handler, Eli, now guides her toward her latest target, a man residing within a sumptuous, unguarded mansion. She makes the assassination look like an accident, giving him a lethal injection between his toes. Moments later, someone shoots Deborah in the chest, killing her. She awakes in a Spartan room, situated in what appears to be an industrial slum full of “bedraggled beggars and throngs of sad-looking civilians.” When Deborah meets the Angels Zotiel and Zephon, they tell her she’s in Purgatory. They bring her to the Archangel Raziel, who informs her that “God is gone” and His Office has been corrupted. Deborah, an atheist, must nevertheless come to grips with her otherworldly predicament. She’s recruited by the Divine Revolution to kill the New God, who has usurped the throne and stripped the angels of power. Murdering the deity, however, means first assembling a proper support team from within the vastness of Purgatory, including a tactician (“I need someone who thinks differently than I do,” Deborah says. “Someone I can work with. Who can consider the long game, while I deal with the immediate”). James aims to scandalize in his raucous novel, boasting no shortage of horrendous flashbacks to teenage Deborah’s life in her aunt’s abusive home and then on the streets of Glasgow with her young lover Mark. Readers follow the path of someone who learns that “Hitman is a very apt word,” because the “same word we use for a kill, a junkie uses for a shot.” The narrative’s parade of shocking moments (like Deborah’s first kill, using a pen on her victim’s neck) should leave fans of garish violence and spectacular action in awe. Leaving his dramatic denouement for future installments, James spends quality time introducing the characters Deborah needs for the mission—like Lena, the nurse, and Whitman, the strategist—in segments that surround a charismatic protagonist with an equally likable cast. Near the end, a ghoulish chase sequence is the cherry on top of a richly disturbing story.
A beautiful dose of carnal mayhem set in Purgatory.Pub Date: Nov. 26, 2015
ISBN: 978-1-5187-8716-4
Page Count: 490
Publisher: CreateSpace
Review Posted Online: Jan. 27, 2016
Kirkus Reviews Issue: March 1, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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