BACK\SLASH

Paperback vet Lovejoy makes his hardcover debut a memorable occasion with an ultracool, swiftly paced tale of cyberspace chicanery. When a seemingly mad hacker launches an escalating campaign of destruction against the world's computers, industrial nations view the threat as serious enough to warrant establishment of an international task force in London. The American representative is Peter Martin, an upper-echelon CIA operative whose principal Stateside contact is Luanne Russell, head of the FBI's Computer Crimes Squad. While the multinational group gets organized, the vagabond vandal (whose user ID is a frowning face) strikes again and again; with but a few keystrokes, phone networks are disabled, interbank fund transfers come to a halt, databases are lost forever, NATO's satellite links rendered inoperative, and an arms dealer's ill-gotten gains transferred from his Swiss account to the Red Cross. In desperation, Luanne recruits maverick computer whiz Kirk Conrad, a man she'd jailed some years previously. Though suspicious of the government's motives, Conrad eventually accepts the challenge. To track down the saboteur (who's gone on to wreak high-tech havoc in Singapore, South America, and the missile silos of nuclear powers), Conrad (a.k.a. Renegade) hacks into GlobeNet, a supersecure commercial alternative to the Internet that's operated out of Zurich. Meantime, Luanne finds that she is working at cross purposes with shifty Peter, who wants the culprit's virulent software and viruses for his own agency. At the eleventh hour, however, Renegade (with a helping hand from his G-woman accomplice) manages to foil, if not identify, the perverse programmer, as Peter and a motley crew of computer cops stage an inconclusive raid on an Alpine redoubt. There's a fine, fairly played twist at the close, which could induce some readers to examine their predilection for sexist deduction. A grand user-friendly yarn that gives new meaning to the words computer error.

Pub Date: Sept. 1, 1996

ISBN: 1-57566-081-4

Page Count: 432

Publisher: Kensington

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1996

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There are unforgettable beauties in this very sexy story.

TELL ME LIES

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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