An emotionally challenging but rewarding war novel.
A fictional memoir, based on true events of love and horror during the Korean War.
Drawing upon his own experience as a soldier stationed in Korea in 1953, Thomas (The Genteel Poor, 2014, etc.) paints a ghastly picture of the ravages of war. The story begins with Sook Cha, a 12-year-old girl, witnessing the murder of her father and rape of her best friend at the hands of ruthless North Korean soldiers. Now alone in the world, she heads south in search of the means to survive. The world she inhabits is a perilous one, and even her fellow countrymen prove opportunistic and brutal. The threat of rape is omnipresent; she attempts to disguise herself as a boy, hoping it will deter potential attackers. She joins forces with an older woman traveling with a young girl and her child, and the four form a kind of impromptu family, eventually establishing a brothel in a notoriously tough neighborhood. Meanwhile, in a parallel narrative, Max, an American soldier stationed in Korea, wrestles with his own disillusionment and estrangement from his wife. He finds himself in a brothel and is introduced to a young, beautiful prostitute—Sook Cha. Immediately attracted to each other, the two take solace from the darkness that surrounds them. They fall deeply in love, but everything seems to conspire against their union. Even Max’s vindictive lieutenant attempts to draw them apart. Max desperately tries to make it work, investigating all of the ways he could manage to take Sook Cha with him back to the United States. While this is an achingly sorrowful tale filled with gritty depictions of human degradation and fear, it doesn’t gratuitously batter the reader with hopelessness. In fact, through all the austerity, glimmers of real love shine through. The author’s experience in Korea shines through as well, particularly in his historically astute depiction of the country and era. He aptly conveys the heights and depths of human capability.
An emotionally challenging but rewarding war novel.Pub Date: Oct. 29, 2013
ISBN: 978-1-62768-001-1
Page Count: 246
Publisher: Media Maestro Book Division
Review Posted Online: Aug. 19, 2015
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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