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ANNAPOLIS

A big beach book is on the way with this sturdy, generation- spanning chronicle from Martin (Cape Cod, 1991, etc.), now telling the story of an archetypally American family bound to the US Navy and to its Maryland roots from colonial times to the present. From the start, the Staffords (who arrived in the New World in 1634) went down to the sea in ships and did business in great waters. Settling in both the Patuxent River Valley (to raise tobacco) and Annapolis, the tidewater family prospered. After the US gained independence, scions of the clan were blooded in the nascent Navy's campaign against Barbary Coast pirates and in action against British ships of the line during the War of 1812. Midshipman Jason Stafford survived these close encounters (as well as an idyllic stopover in the South Pacific's Marquesas Islands) to achieve high rank. During the Civil War, his sons served on Union gunboats and on Confederate raiders. Their largely male descendants went on to play supporting roles in the Spanish-American War, the founding of the Naval Academy, the Battle of Midway, and other turning-point events that marked America's emergence as a dominant naval power. Staffords also fought valiantly in the riverine jungles of Vietnam and, flying carrier-based attack planes, in the unfriendly skies over the Persian Gulf. Martin's long story is artfully kept within comprehensible limits by the latter-day activities of a maverick Stafford, liberal journalist Jack, who's writing a painfully detailed account of his family's odyssey, and by a distant cousin assigned to produce a PBS-TV special on the family. Their colloquies and inquiries provide continuity and perspective in a narrative whose serial protagonists are steeped in the tradition of doing violence with honor. A lively, engrossing saga that brings epic chapters of US history out of the archival hold into the bracing air of the quarterdeck. (Literary Guild and Doubleday alternate selection; author tour)

Pub Date: June 14, 1996

ISBN: 0-446-51511-6

Page Count: 672

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1996

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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