A first novel that vividly evokes the depressing decay and corruption of a place—West Africa—where things have so fallen apart that revolution becomes palpably imminent, while romance (in this case, between two expat Americans) remains less than compelling. Set in Sierra Leone in the recent past, just before the revolution that destroyed a once relatively prosperous country, the story begins as protagonist Robert Kelley is finishing up his development project on the coast and planning to join his lover Marie in Freetown. Robert is one of those expats who can never really go home again: he enjoys living in the bush, frequently indulges his drug habit, and has no qualms about bedding any number of women. In fact, he seems to indulge in so much risky behavior that it’s hard to believe he’s as efficient an administrator as we—re told he is. Marie, working on women’s issues in nearby Mali, is not pleased with his behavior either, and when the two meet again in Freetown, where Robert has just agreed to take on another development project, they quarrel. She goes back to Mali, while Robert, who has badly cut his foot and refuses to take care of it despite the admonitions of the Embassy doctor, prepares for his new job. With a team of local scientists, such as Prince and Daniel (whose qualifications and talents are ill-used by a rapacious regime that has destroyed the economy), he heads into the bush. The team is to conduct a survey for an aquaculture project under development, but when they meet up with a band of renegade soldiers, most of the men are murdered. Robert manages to escape, but by now his infected foot is gangrenous. Delirious, he finally reaches the coast where he once lived, but his foot can’t be saved. As he recovers, the political situation deteriorates and he decides to return to Marie in Mali. Strong as reportage, but the storytelling itself—together with sketchy, not-always-credible characters—follows weakly along.
Pub Date: Oct. 1, 1998
ISBN: 1-57962-012-4
Page Count: 232
Publisher: Permanent Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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