A delightfully playful cross-genre novel whose science fiction is every bit as enjoyable as its historical fiction.
A French journalist encounters the American Civil War—and something even stranger—in 1861 Kentucky.
Edouard de Grimouville, a supercilious French stringer for Horace Greeley’s New York Tribune, travels to the town of Somerset, Ky., on the eve of the Civil War—a conflict in which the neutral state is coveted by both sides. The newspaper’s better-known, more diligent and more talented (monsieur is somewhat lackadaisical) reporters are covering the higher-profile areas of the state, leaving de Grimouville free to gather background by interviewing the colorful locals, including Susannah, the hilariously filthy minded girl he impregnates and mildly likes; Mr. Graham, the enigmatic old coot who lives on the edge of town; and Nick Bromfield and his friends, who challenge their visitor’s conception of politics in the course of many spirited, and endearingly readable, late-night debates. These same friends also challenge de Grimouville’s concept of reality by revealing to him a mysterious instrument that manufactures odd little stones; when someone holds one of these stones and so wills it, an invisible force field springs to life around that person. Light passes freely through the field, but nothing else does, including sound—and bullets. In a daffy turn of events that is nevertheless convincing and entertaining, these gentlemen spend as much time philosophizing about how the existence of a perfect defensive device alters the nature of societal relations as they do strategizing about how best to use the device against the loutish Southern soldiers who occupy and despoil the town. Civil War fantasies, such as those of Harry Turtledove’s Guns of the South, are here given a far more idiosyncratic and thoughtful twist, in chapter after chapter of sharply intelligent and pithy prose.
A delightfully playful cross-genre novel whose science fiction is every bit as enjoyable as its historical fiction.Pub Date: Jan. 27, 2011
ISBN: 978-0615477671
Page Count: 254
Publisher: CreateSpace
Review Posted Online: April 7, 2011
Kirkus Reviews Issue: May 1, 2011
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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