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  • Rolling Stone & Kirkus' Best Music Books of 2020

ME AND SISTER BOBBIE

TRUE TALES OF THE FAMILY BAND

A shift in perspective makes a familiar story seem fresh all over again.

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  • Rolling Stone & Kirkus' Best Music Books of 2020

A brother-and-sister memoir celebrates more than eight decades of love, family, and music.

Willie and his older sister, Bobbie, are clearly grateful for each other, and readers will be almost as grateful that they decided to share their story together. Most of the details are already familiar for fans of Willie and country music in general, and some are legend. Far less is known about Bobbie, the keyboard player who says little onstage but who has long provided the backbone of Willie’s band, which he has dubbed the Family ever since she joined. The chapters attributed to “Brother” and “Sister” alternate, showing how their lives and destinies have intertwined, even during the extended stretches when they weren’t playing music together. Willie builds a strong case that Bobbie is the musical virtuoso in the family, that her range has allowed him to extend and expand his own, and that she was the “missing piece of my musical puzzle” that made him a beloved institution as a recording and touring artist rather than just a songwriter. Bobbie testifies to how Willie’s innate poetic sensibility and irrepressible likability were present from childhood and how his determination to follow his own instincts eventually paid dividends. Their split narrative covers their many marriages (four for Willie, three for Bobbie) as well as the challenges and heartbreak that Bobbie has faced, information that will be new to most readers. For example, she discusses how she lost custody of her children because of the belief that women shouldn’t be playing music where alcohol was sold; how she was abused by husbands and lovers; and how racism, sexism, and depression would have tragic consequences for her. She also shows how forgiveness, faith, and personal resilience carried her through. Early on, Willie calls her a “heroine,” and readers will agree with that assessment. One of Kirkus and Rolling Stone’s Best Music Books of 2020.

A shift in perspective makes a familiar story seem fresh all over again.

Pub Date: Sept. 15, 2020

ISBN: 978-1-984854-13-1

Page Count: 288

Publisher: Random House

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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  • New York Times Bestseller

TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

THE WOMAN IN ME

Spears’ vulnerability shines through as she describes her painful journey from vulnerable girl to empowered woman.

A heartfelt memoir from the pop superstar.

Spears grew up with an alcoholic father, an exacting mother, and a fear of disappointing them both. She also displayed a natural talent for singing and dancing and a strong work ethic. Spears is grateful for the adult professionals who helped her get her start, but the same can’t be said of her peers. When she met Justin Timberlake, also a Mouseketeer on the Disney Channel’s updated Mickey Mouse Club, the two formed an instant bond. Spears describes her teenage feelings for Timberlake as “so in love with him it was pathetic,” and she’s clearly angry about the rumors and breakup that followed. This tumultuous period haunted her for years. Out of many candidates for villains of the book, Timberlake included, perhaps the worst are the careless journalists of the late 1990s and early 2000s, who indulged Timberlake while vilifying Spears. The cycle repeated for years, taking its toll on her mental health. Spears gave birth to sons Sean Preston and Jayden James within two years, and she describes the difficulties they all faced living in the spotlight. The author writes passionately about how custody of her boys and visits with them were held over her head, and she recounts how they were used to coerce her to make decisions that weren’t always in her best interest. As many readers know, conservancy followed, and for 13 years, she toured, held a residency in Las Vegas, and performed—all while supposedly unable to take care of herself, an irony not lost on her. Overall, the book is cathartic, though readers who followed her 2021 trial won’t find many revelations, and many of the other newsworthy items have been widely covered in the run-up to the book’s release.

Spears’ vulnerability shines through as she describes her painful journey from vulnerable girl to empowered woman.

Pub Date: Oct. 24, 2023

ISBN: 9781668009048

Page Count: 288

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 25, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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