The glory years of frontier life, fresh and rich.
A second in the author’s Rendezvous series (So Wild a Dream, not reviewed), about the early days of the fur trade.
Blevins (Westward: A Fictional History of the American West, 2003, etc.) is often mystical when writing about Indians, and his gritty fiction brings to mind the fur-trade novels of Frederick Manfred (Lord Grizzly, 1954) and Vardis Fisher (Mountain Man). In So Wild a Dream, set in the 1820s, Pittsburgh’s white-haired, impressionable young Sam Morgan, finding Pennsylvania dull, lights out for the West, becomes a hand on a riverboat, has many adventures on the frontier, then heads into the unmapped West on a grueling 700-mile trek, alone and on foot, across the Great Plains to the Rockies, where men blaze trails across the mountains. Between Missouri and the Pacific, he falls in with various Indian tribes and learns crafts for living in the wilds. Now, after two years trapping beaver, he goes home, fights with his family, heads back west. Downhearted, he dreams himself joined to a Spirit Buffalo (named Samalo), decides to seek his beloved Indian maiden Meadowlark, and sets off with his pet coyote to find her. Sam and three friends, including Third Wing, a Pawnee, go up Wind River to look for her. Meadowlark is glad to see him, but Sam is humiliated by a Crow archery game that awards him the name No Arrows. Nor can he ride as well as Crow. When another Crow courts Meadowlark, Sam must become a real Crow if he’s to win her, but after he’s captured by Lakota Sioux (and escapes), he’s too poor to woo her. And he’s responsible for a young Crow’s death. Meadowlark’s parents believe a prophecy that White Men will overrun the land: Thus Meadowlark mustn’t marry a White. But soon the Pacific beckons them both.
The glory years of frontier life, fresh and rich.Pub Date: Oct. 1, 2004
ISBN: 0-765-30574-7
Page Count: 382
Publisher: Forge
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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