A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.
A novel of sharply drawn character studies immersed in more than 250 hard, transformative years in the African-American diaspora.
Gyasi’s debut novel opens in the mid-1700s in what is now Ghana, as tribal rivalries are exploited by British and Dutch colonists and slave traders. The daughter of one tribal leader marries a British man for financial expediency, then learns that the “castle” he governs is a holding dungeon for slaves. (When she asks what’s held there, she’s told “cargo.”) The narrative soon alternates chapters between the Ghanans and their American descendants up through the present day. On either side of the Atlantic, the tale is often one of racism, degradation, and loss: a slave on an Alabama plantation is whipped “until the blood on the ground is high enough to bathe a baby”; a freedman in Baltimore fears being sent back South with the passage of the Fugitive Slave Act; a Ghanan woman is driven mad from the abuse of a missionary and her husband’s injury in a tribal war; a woman in Harlem is increasingly distanced from (and then humiliated by) her husband, who passes as white. Gyasi is a deeply empathetic writer, and each of the novel’s 14 chapters is a savvy character portrait that reveals the impact of racism from multiple perspectives. It lacks the sweep that its premise implies, though: while the characters share a bloodline, and a gold-flecked stone appears throughout the book as a symbolic connector, the novel is more a well-made linked story collection than a complex epic. Yet Gyasi plainly has the talent to pull that off: “I will be my own nation,” one woman tells a British suitor early on, and the author understands both the necessity of that defiance and how hard it is to follow through on it.
A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.Pub Date: June 7, 2016
ISBN: 978-1-101-94713-5
Page Count: 320
Publisher: Knopf
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
BOOK REVIEW
PROFILES
SEEN & HEARD
A story both little and large and one that pulls out all the Irish stops.
The heart-expanding extremes of life—first love and last rites—are experienced by an unsettled young Dubliner spending one exceptional spring in a small Irish village.
Christy McMahon “walked this line between the comic and the poignant,” and so does Williams (History of the Rain, 2014, etc.) in his latest novel, another long, affectionate, meandering story, this one devoted to the small rural community of Faha, which is about to change forever with the coming of electricity to the parish. Delighting in the eccentricities of speech, behavior, and attitude of the local characters, Williams spins a tale of life lessons and loves new and old, as observed from the perspective of Noel Crowe, 17 when the book’s events take place, some six decades older as he narrates them. Noel’s home is in Dublin, where he was training to become a Catholic priest, but he's lost his faith and retreated to the home of his grandparents Doady and Ganga in Faha. Easter is coming, and the weather—normally infinite varieties of rain—turns sunny as electrical workers cover the countryside, erecting poles and connecting wires. Christy, a member of the electrical workforce, comes to lodge alongside Noel in Doady and Ganga's garret but has another motive: He’s here to find and seek forgiveness from the woman he abandoned at the altar 50 years earlier. While tracing this quest, Williams sets Noel on his own love trajectory as he falls first for one, then all of the daughters of the local doctor. These interactions are framed against a portrait of village life—the church, the Gaelic football, the music, the alcohol—and its personalities. Warm and whimsical, sometimes sorrowful, but always expressed in curlicues of Irish lyricism, this charming book makes varied use of its electrical metaphor, not least to express the flickering pulse of humanity.
A story both little and large and one that pulls out all the Irish stops.Pub Date: Dec. 3, 2019
ISBN: 978-1-63557-420-3
Page Count: 400
Publisher: Bloomsbury
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
A subtle, mature reflection on the loop of life from a unique writer of deserved international stature.
When the four adult Madigan children come home for Christmas to visit their widowed mother for the last time before the family house is sold, a familiar landscape of tensions is renewed and reordered.
Newly chosen as Ireland’s first fiction laureate, Enright (The Forgotten Waltz, 2012, etc.) showcases the unostentatious skill that underpins her success and popularity in this latest story of place and connection, set in an unnamed community in County Clare. Rosaleen Considine married beneath her when she took the hand of Pat Madigan decades ago. Their four children are now middle-aged, and only one of them, Constance, stayed local, marrying into the McGrath family, which has benefited comfortably from the nation’s financial boom. Returning to the fold are Dan, originally destined for the priesthood, now living in Toronto, gay and “a raging blank of a human being”; Emmet, the international charity worker struggling with attachment; and Hanna, the disappointed actress with a drinking problem. This is prime Enright territory, the fertile soil of home and history, cash and clan; or, in the case of the Madigan reunion, “all the things that were unsayable: failure, money, sex and drink.” Long introductions to the principal characters precede the theatrical format of the reunion, allowing Enright plenty of space to convey her brilliant ear for dialogue, her soft wit, and piercing, poetic sense of life’s larger abstractions. Like Enright's Man Booker Prize–winning The Gathering (2007), this novel traces experience across generations although, despite a brief crisis, this is a less dramatic story, while abidingly generous and humane.
A subtle, mature reflection on the loop of life from a unique writer of deserved international stature.Pub Date: May 4, 2015
ISBN: 978-0-393-24821-0
Page Count: 304
Publisher: Norton
Review Posted Online: Feb. 16, 2015
Kirkus Reviews Issue: March 1, 2015
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