A frothy paranormal comedy-adventure that offers a respite from the usual brooding over messy werewolf/vampire love affairs.
A 1970s wife—secretly in a government project to fight supernatural invaders—must find a solution when a magical creature from a dangerous fantasy realm switches places with her husband.
Pseudonymous author Reede (Daisy Dukes ’n’ Cowboy Boots, 2017) conjures a semicomical urban fantasy focusing on the antics of Mindy Nichols, a young New Orleans wife and mom. Mindy is really an agent for the Inner Space Monitoring Alliance Team, a covert U.S. government task force that battles magical intruders from other realms. Readers are told that letting such entities go uncontrolled led to the two world wars. It’s 1975 (ignore the Hugh Jackman reference and other occasional dialogue anachronisms), and ISMAT’s new headache is the “Blink” phenomenon, wherein hostile fairy-tale beings—imps, cyclops, etc.—are teleporting into the U.S. apparently at random from a magical world called Ortharos. For each appearance, an earthling has to teleport to Ortharos in exchange, and outcomes are not good. During Mardi Gras masquerade time, Mindy discovers that her husband, Jim, is missing, having Blinked away. But replacing him is a house-elf–style “brownie”—the first Ortharian to be communicative and friendly. Mindy, to figure out what’s happening and save her family, disobeys standing orders to terminate such beings. Multiple story strands in short, addictive chapters, each in first-person narration by a different quirky character, follow Jim to Ortharos, where he meets a green-skinned witch and her enticing, imprisoned Rapunzel look-alike sister (named Rapunzel, in fact) and the cyclops queen. Meanwhile, Mindy contends with myriad crises and phantasmic fallouts back home. The best conceit is that mythic characters defy expectations of who’s good or evil (though an off-the-rack, Sauron-like baddie lurks behind it all). But with two sets of protagonists teleporting or dodging peril via hidden passageways, there are considerable storyline snarls involving who is doing what, where, and in which world before things intersect at the Bacchus Krewe parade in the French Quarter. (New Orleans addicts, nonetheless, will find somewhat less local color than they’ve grown to expect.) Paranormal romance followers who take the bouncy ride should delight in the playful tweaking of all the ingredients, including the Carnival king cake.
A frothy paranormal comedy-adventure that offers a respite from the usual brooding over messy werewolf/vampire love affairs.Pub Date: Feb. 25, 2017
ISBN: 978-1-62694-807-5
Page Count: 270
Publisher: Black Opal Books
Review Posted Online: April 12, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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