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SOMEONE TO TALK TO

A chronicle of lives of quiet desperation lived half a world away, understated and thoughtful, cheerless without being...

Generational novel of loss and miscommunication in a Chinese village.

The sins of the fathers are always visited on the children. Often mentioned as China’s leading candidate for the Nobel Prize in literature, Liu (The Cook, The Crook, and the Real Estate Tycoon, 2015, etc.) writes of a simple tofu peddler who inherited the job and doesn’t want it. Yang Baishun’s father has only one friend, a carter, and even when it turns out that the friend doesn’t feel the same about him, Old Yang takes a forgiving attitude: “He shouldn’t have had to drive a cart all his life,” he sighs. His son also thinks he has a friend but does not, and so the younger Yang heads out to seek his fortune doing anything other than selling tofu. In time he has a wife and daughter, each of whom he loses: one runs away, one, it seems, is kidnapped. But by whom? The story jumps ahead two generations, and the same things are happening in a newer China: “When he turned thirty-five,” writes Liu of a descendant, “Niu Aiguo knew that there were only three people he could count on if he ran into trouble.” Run into trouble he does, as marriages dissolve, siblings vie, and the members of Yang’s bloodline look back into the past to ponder their mother’s disappearance years earlier. That mystery is in plain sight, for Liu seems concerned with other truths. Though he gives the storyline an indefinite air by not providing a firm chronology, he wants us to know that the story links two worlds, the old China of tiny villages and warlords and the new post-revolutionary one of party dictatorship and a command economy, even as nothing ever changes: “He had lied to her,” he writes. “It was only a minor lie that day. But he had started lying to her a week before, and that was major.” Friendless, untruthful, and unheard, his characters simply endure.

A chronicle of lives of quiet desperation lived half a world away, understated and thoughtful, cheerless without being morose.

Pub Date: March 20, 2018

ISBN: 978-0-8223-7083-3

Page Count: 384

Publisher: Duke Univ.

Review Posted Online: Dec. 23, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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