A propulsive, sharply crafted tale about a planetary war.
In this YA sci-fi debut, an alien world plays host to conflict among three humanoid tribes.
Scarlatti is a planet lit by two suns in the Gemelos System. Sharing this world are the Herons (who bleed green), the Elik (who bleed blue), and the Humans (who bleed red). Each tribe exists within strictly enforced borders, and trespassers invite murder. Eighteen-year-old Breaker is a Human repairman who lost his older brother, Brandon, to such internecine conflict. Breaker also lost his leg, which has been replaced with a cybernetic limb that he affectionately calls Circuit. One day—or dia, as the Scarlatti say—Breaker chases after his 13-year-old brother, Brody, who has sneaked from the Human compound into danger beyond the border. In the wilderness, Breaker encounters a hidden spaceship. Meanwhile, in the Elik’s glass city of Houtiri, the Human Malani celebrates the Twin Suns Festival with her crush, Fic. She’s quite the anomaly among the Elik, since she was kidnapped as a child and given an experimental set of metal wings. Malani’s bliss is short-lived when Heron fighters assault the festival, killing scores of innocents and making her a prisoner once more. In Heron captivity, she learns that their ruler, King Oma, fears the Elik military and desires its secrets. While Malani holds out through torture, she meets another imprisoned Human, one with a cybernetic leg. In this richly imagined start to a new sci-fi series, Reed brings optimism to the goal of solving entrenched violence in a galaxy far, far away. Scarlatti, like a lush Mars, is evoked in lines like “From the burgundy and blush trees to the carmine peaks to the ruby glow of the suns, this land wore a blanket of blood.” The plot echoes real-world tyranny when King Oma manipulates Breaker and Malani to unlock the spaceship’s technology, thereby gaining the advantage when war ignites. The Humans too are ready to accommodate the Herons, believing that their red blood originates on Scarlatti. Yet, as Malani says, when you share someone’s home “all other details fade like background music.”
A propulsive, sharply crafted tale about a planetary war.Pub Date: May 10, 2017
ISBN: 978-1-68291-310-9
Page Count: 420
Publisher: Soul Mate Publishing
Review Posted Online: Feb. 27, 2017
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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