A journey into the heart of acting that’s ever entertaining but at times transcendentally overblown.
Sarah Bernhardt’s declining years, as highly fictionalized as Braver’s debut, Mr. Lincoln’s Wars (2003).
At Manhattan’s Booth Theater in 1880, Bernhardt makes her American debut as Marguerite Gautier in Camille and draws 29 curtain calls from the ecstatic audience, until Bernhardt calls for the house lights to go up. The audience had been stunned by the young artist’s mastery of Marguerite’s death of tuberculosis (the 19th-century’s great romantic illness), and, outside the theater, some 5,000 people await her exit. Leap ahead to Los Angeles 1906, and Bernhardt’s struggle to find again the power and insidiousness of Marguerite’s consumption. What’s more, her gay agent and beloved friend Max Klein warns: the Catholic Legion of Decency, which puts actresses and whores on equal footing, has shut down LA and will not allow the infamous actress to perform there. So the show’s been moved to nearby Venice (the town that’s recently been remodeled with Venetian waterways and gondolas). Bernhardt’s private train car hasn’t arrived yet. During her week alone in Venice, she’s pursued by the press and by ace reporter Vince Baker, who is fairly astounded (along with 50 other reporters) to see her catch a ten-pound sea bass from a Venice pier, split it open with her hotel key, and plunge her face into the entrails, perhaps to awaken her fading spirit. She no longer has the energy to fight the press as in years past. (Her famous wooden leg won’t show up for another nine years.) Now 61 on her farewell American tour, Sarah’s been an opium addict since 1880—hop sometimes enhances her performances. Onstage, her presence overshadows her art. Standout scene: Sarah alone with Edison, on cocaine and recording Hamlet’s soliloquy in English and French (available from EMI). At 76, Sarah still plays Marguerite.
A journey into the heart of acting that’s ever entertaining but at times transcendentally overblown.Pub Date: July 1, 2004
ISBN: 0-06-054407-4
Page Count: 224
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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