by Amitav Ghosh ‧ RELEASE DATE: Aug. 4, 2015
At times slow-moving and repetitive, this novel still provides a satisfying sense of closure to the political and personal...
Ghosh completes his epic Ibis trilogy with a book focusing on the First Opium War of 1839 to '41 and culminating in battles between the British navy and Chinese ports.
As befits a saga of this magnitude, there’s no center but rather a cluster of subplots and a dazzling variety of characters and relationships, both personal and professional. Foremost among them is 21-year-old Zachary Reid, who at the beginning of the novel is acquitted of murdering the first mate of the schooner Ibis. He continues his career under the watch of Mr. Burnham, who eventually settles on Reid to help move his cargo of opium from Calcutta to China—and to use the “free market” to sell opium for a substantial profit along the way. Meanwhile, Reid comes under the sway of Mrs. Burnham, who spends a great deal of time puritanically warning him about the dangers of “onanism” …and then begins a torrid affair with him. Another subplot involves the military maneuvers of Kesri Singh, a sepoy officer with a regiment of the Bengal Native Infantry. He and his commanding officer wind up in the center of battle as the action moves from India to China. Yet another subplot involves Shireen Modi, whose husband dies and who is thus forced to take over his business activities, including the potentially bankrupting loss of a huge opium shipment. Somehow, throughout the machinations of the characters and the logistics of business and militarism, Ghosh brings everything together as ships and troops converge on China for a climactic battle.At times slow-moving and repetitive, this novel still provides a satisfying sense of closure to the political and personal issues Ghosh opened up more than a thousand pages earlier.
Pub Date: Aug. 4, 2015
Page Count: 528
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 11, 2015
Kirkus Reviews Issue: June 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.Still, a respectful and absorbing page-turner.
Pub Date: Feb. 3, 2015
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Madeline Miller ‧ RELEASE DATE: April 10, 2018
Miller makes Homer pertinent to women facing 21st-century monsters.
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New York Times Bestseller
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.Miller makes Homer pertinent to women facing 21st-century monsters.
Pub Date: April 10, 2018
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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