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A DOOR IN THE EARTH

A bone-chilling takedown of America’s misguided use of soft power.

A young Afghan American finds life in a remote Afghan village to be very different from the narrative she had been fed back home in this novel from a former New York Times Afghanistan correspondent.

Given that the U.S. has been keen to win the battle for hearts and minds in Afghanistan since 9/11, Americans will willingly lap up any story that sheds the U.S.–Afghanistan relationship in a positive light. Dr. Gideon Crane’s wildly successful memoir, Mother Afghanistan, fits the bill. The (fictional) bestseller narrates the tale of Crane’s efforts to do good in a poverty-stricken village. Crane’s best intentions didn’t amount to much as he helplessly watched Fereshta, a young mother, die from complications in childbirth. In a sweeping gesture of goodwill, years later, Crane built a hospital in the village in her honor, a monument that drew thousands of donations from well-meaning Americans trying to justify their country’s actions. Parveen Shamsa, a newly minted college graduate, is drawn in by Crane’s account and travels to the same village to exercise her medical anthropological skills and connect with her Afghan roots. To her dismay, Parveen finds gaping holes in Crane’s narrative and slowly realizes that “the village was a backdrop against which Americans played out their fantasies of benevolence or self-transformation or, more recently, control.” Worse, Crane’s memoir also galvanizes the U.S. Army to deliver its own brand of feel-good medicine to the town, with unsurprisingly tragic consequences. Through a kaleidoscope of shifting perspectives—from Parveen's host family to the village elderman, the gynecologist who can only visit weekly, and the military top brass who bring the war to town—Waldman (The Submission, 2011) delivers a breathtaking and achingly nuanced examination of the grays in a landscape where black and white answers have long been the only currency.

A bone-chilling takedown of America’s misguided use of soft power.

Pub Date: Aug. 27, 2019

ISBN: 978-0-316-45157-4

Page Count: 397

Publisher: Little, Brown

Review Posted Online: May 26, 2019

Kirkus Reviews Issue: June 15, 2019

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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