Skeletons come and go from a wealthy South Carolina family’s closet when the British army arrives in this tale set during the Revolutionary War. While sister Georgia Ann has taken to dining nightly with haughty Lord Rawdon, Caroline Whitaker, 14, scorns the occupying officer; she has seen a friend hanged and her Patriot father thrown into prison. Word comes that brother Johnny, a member of the Loyalist militia, has been wounded, so Caroline and her “negra” grandmother, Miz Melindy, set out to bring him home. Caroline not only learns that Johnny has switched sides, but that her birth mother, Miz Melindy’s daughter, didn’t die (as she had always been told); she was shipped off to the West Indies as the price of Caroline’s acceptance as a Whitaker. Deftly incorporating facts into the background but leaving most of the violence offstage, Rinaldi (Mine Eyes Have Seen, 1998, etc.) keeps the focus on her characters, developing an entertainingly contentious rapport between Caroline and Miz Melindy while strewing the cast with rough men and widowed or abandoned women. Georgia Ann eventually becomes Rawdon’s doxy, then is summarily dropped from the story, and Johnny, willing to risk his life to save his slave, breaks off with the Catawba women he had been seeing for years in the name of appearances. In the end, Caroline has no trouble marrying into a white family, a seeming paradox—considering the pervasive consciousness of racial differences here—that Rinaldi doesn’t explain. Anna Myers’s Keeping Room (1997), a less disingenuous story set in the same place and time, offers a more direct view of the unusual brutality that characterized the war in the Carolinas. (bibliography) (Fiction. 12-15)
Pub Date: Sept. 1, 1998
ISBN: 0-15-200881-0
Page Count: 277
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1998
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.
After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.
The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)Pub Date: Sept. 12, 2006
ISBN: 0-385-75106-0
Page Count: 224
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Though it lacks references or suggestions for further reading, Arn's agonizing story is compelling enough that many readers...
A harrowing tale of survival in the Killing Fields.
The childhood of Arn Chorn-Pond has been captured for young readers before, in Michelle Lord and Shino Arihara's picture book, A Song for Cambodia (2008). McCormick, known for issue-oriented realism, offers a fictionalized retelling of Chorn-Pond's youth for older readers. McCormick's version begins when the Khmer Rouge marches into 11-year-old Arn's Cambodian neighborhood and forces everyone into the country. Arn doesn't understand what the Khmer Rouge stands for; he only knows that over the next several years he and the other children shrink away on a handful of rice a day, while the corpses of adults pile ever higher in the mango grove. Arn does what he must to survive—and, wherever possible, to protect a small pocket of children and adults around him. Arn's chilling history pulls no punches, trusting its readers to cope with the reality of children forced to participate in murder, torture, sexual exploitation and genocide. This gut-wrenching tale is marred only by the author's choice to use broken English for both dialogue and description. Chorn-Pond, in real life, has spoken eloquently (and fluently) on the influence he's gained by learning English; this prose diminishes both his struggle and his story.
Though it lacks references or suggestions for further reading, Arn's agonizing story is compelling enough that many readers will seek out the history themselves. (preface, author's note) (Historical fiction. 12-15)Pub Date: May 8, 2012
ISBN: 978-0-06-173093-1
Page Count: 224
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: April 15, 2012
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