A colorful portrait of a colorful time, though the storyline isn’t as captivating.
In Hays’ historical novel, artists, partisans and Freemasons fight for a country’s freedom in the face of a secretive, dangerous religious order.
In 1910, Lisbon-born Florbela Sarmentos, a 21-year-old graduate of the painting academy in Cherbourg, arrives in Paris to pursue her dream of becoming a painter. She’s referred to La Ruche, or “the Beehive,” an inexpensive studio for artists operated by Alfred Boucher. At La Ruche, she befriends other aspiring artists destined to become seminal figures in the art world, including Marc Chagall, Diego Rivera, Angelina Beloff and Amedeo Modigliani. She also develops a close friendship with her roommate, Irène Langevin, a talented but mysterious sculptor. Florbela’s arrival in Paris coincides with political turmoil in her native Portugal, and she is contacted by Paulo and Armand, members of a group called Bande Liberté du Monde—aka Les Souris Trempés (“the Soggy Mice”)—that’s aligned with the populist cause in Portugal. Paulo and Armand bring Florbela a letter from her jailed father, Hermes Sarmentos, that discusses the dire political situation in Portugal and warns Florbela to watch out for the Ordo Crucis Incendio, the Order of the Burning Cross. Hermes also directs Florbela to seek out a Freemason and accept the protection of the men who delivered the letter to her. The letter starts an adventure involving political assassination, revolution and a disturbing painting that bears a secret code. Hays’ ambitious effort offers a vibrant portrait of the Paris art scene of the early 20th century; however, the narrative is an uneven mix of artistic ambitions and political intrigue. The latter isn’t as compelling, primarily because it involves unlikely plot twists. Nonetheless, from parties with the Steins and Delaunays to the influence of Guillaume Apollinaire, Hays captures the heady bohemian glamour of Florbela’s world.
A colorful portrait of a colorful time, though the storyline isn’t as captivating.Pub Date: Oct. 31, 2013
ISBN: 978-0985418236
Page Count: 372
Publisher: Diadema Press
Review Posted Online: Sept. 3, 2013
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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