Ideal for readers seeking to delve deeply into Renoir’s personality; those seeking critical assessments of the individual...
An in-depth biography of the French impressionist painter.
White (Impressionists Side by Side: Their Friendships, Rivalries, and Artistic Exchanges, 1996, etc.) is one of the leading authorities on the life and work of Pierre-Auguste Renoir (1841-1919), “one of the greatest and most creative artists who ever lived.” Here, the author offers an “intimate” look into his life, a narrative fueled by her amassing a cache of more than 3,000 letters. Many are from the families of Renoir’s illegitimate daughter, Jeanne, and his three sons, including the great film director Jean (whose own biography of his father White calls “historical fiction”), as well as from fellow artists. They shed particular light on his relationships with key women in his life, especially his wife, female models, and fellow artist Berthe Morisot. In workmanlike prose, White moves forward in seven chronological sections, each representing specific phases of Renoir’s career. Throughout, the author presents Renoir as an “inspiring and heroic individual who overcame daunting obstacles.” In his early years, he experienced great poverty; when he finally began to find success, he became afflicted with paralyzing rheumatoid arthritis, which turned his fingers and hands into gnarled fists. He would have a brush tied between his fingers so he could continue to paint and smoke his beloved cigarettes, both of which he did relentlessly. Renoir created 4,019 paintings and hundreds of pastels and drawings. He was “complex, maddeningly ambivalent, yet endearing,” but he could also be “secretive, shrewd and even sneaky.” Though the writing is often dry, White does a fine job of tracing the phases of his career. His work—“permeated with the freedom and joie de vivre of the Impressionists, fused with a classical search for balanced compositions and form”—inspired many painters, including Matisse and Picasso (they almost met).
Ideal for readers seeking to delve deeply into Renoir’s personality; those seeking critical assessments of the individual works should look elsewhere.Pub Date: Oct. 17, 2017
ISBN: 978-0-500-23957-5
Page Count: 456
Publisher: Thames & Hudson
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
A slim volume packed with nourishing nuggets of wisdom.
Life lessons from the celebrated poet.
Angelou (A Song Flung Up to Heaven, 2002, etc.) doesn’t have a daughter, per se, but “thousands of daughters,” multitudes that she gathers here in a Whitmanesque embrace to deliver her experiences. They come in the shape of memories and poems, tools that readers can fashion to their needs. “Believing that life loves the liver of it, I have dared to try many things,” she writes, proceeding to recount pungent moments, stories in which her behavior sometimes backfired, and sometimes surprised even herself. Much of it is framed by the “struggle against a condition of surrender” or submission. She refuses to preach or consider her personal insights as generalized edicts. She is reminded of the charity that words and gestures bring and the liberation that comes with honesty. Lies, she notes, often spring out of fear. She cheated madness by counting her blessings. She is enlivened by those in love. She understands the uses and abuses of violence. Occasionally a bit of old-fashioned advice filters in, as during a commencement address/poem in which she urges the graduates to make a difference, to be present and accountable. The topics are mostly big, raw and exposed. Where is death’s sting? “It is here in my heart.” Overarching each brief chapter is the vital energy of a woman taking life’s measure with every step.
A slim volume packed with nourishing nuggets of wisdom.Pub Date: Sept. 30, 2008
ISBN: 978-1-4000-6612-4
Page Count: 192
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2008
Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.
Gornick’s (The Odd Woman and the City, 2016) ferocious but principled intelligence emanates from each of the essays in this distinctive collection.
Rereading texts, and comparing her most recent perceptions against those of the past, is the linchpin of the book, with the author revisiting such celebrated novels as D.H. Lawrence's Sons and Lovers, Colette's The Vagabond, Marguerite Duras' The Lover, and Elizabeth Bowen's The House in Paris. Gornick also explores the history and changing face of Jewish American fiction as expressions of "the other." The author reads more deeply and keenly than most, with perceptions amplified by the perspective of her 84 years. Though she was an avatar of "personal journalism" and a former staff writer for the Village Voice—a publication that “had a muckraking bent which made its writers…sound as if they were routinely holding a gun to society’s head”—here, Gornick mostly subordinates her politics to the power of literature, to the books that have always been her intimates, old friends to whom she could turn time and again. "I read ever and only to feel the power of Life with a capital L," she writes; it shows. The author believes that for those willing to relinquish treasured but outmoded interpretations, rereading over a span of decades can be a journey, sometimes unsettling, toward richer meanings of books that are touchstones of one's life. As always, Gornick reveals as much about herself as about the writers whose works she explores; particularly arresting are her essays on Lawrence and on Natalia Ginzburg. Some may feel she has a tendency to overdramatize, but none will question her intellectual honesty. It is reflected throughout, perhaps nowhere so vividly as in a vignette involving a stay in Israel, where, try as she might, Gornick could not get past the "appalling tribalism of the culture.”
Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.Pub Date: Feb. 4, 2020
ISBN: 978-0-374-28215-8
Page Count: 176
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 9, 2019
Kirkus Reviews Issue: Nov. 1, 2019
PERSPECTIVES
PERSPECTIVES
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