Trapido blithely analyzes her people’s sometimes disastrous comings and goings in a bittersweet, often very sexy romance...
Mischievous social comedy and subtle portrayals of characters simultaneously thrown together and isolated by their own solipsism—all in an enchanting fifth novel from the South African-born English author (Temples of Delight, 1991, etc.)
Three narrators alternate their separate stories of several families and sets of friends who variously recapitulate the romantic spirit embodied by 18-year-old Lydia Dent, killed in a car accident en route to a meeting with novelist Jonathan Goldman, with whom she shared an interest in minor German Romantic poet Wilhelm Muller (the source of Trapido’s title). Lydia’s older sister, Ellen, recalls the idyllic, willfully eccentric girlhood the siblings spent gently mocking their indulgent father and his businesslike second wife ("the Stepmother"). Jonathan himself recounts the mixed blessings of his wife Katherine’s mastery of conventional domesticity and parenting, the hair-raising rearing of their sickly, temperamental daughter, Stella (nicknamed “The Nuisance Chip” . . . “as if [she were] programmed for maximum nuisance capacity”), and his difficult relationship with his mistress, Sonia, a confident college administrator. The story’s third narrator is Stella, a pale “orange-haired” beauty and promising cellist who studies at Edinburgh University (around which the majority of Trapido’s characters gather), where she unwisely takes up with working-class Scots painter “Izzy” Tench, gets pregnant (with complications), and enters a companionable if loveless marriage with Peregrine “Pen” Massingham, a gentler breed of Scotsman who has his own reasons for being “sexually unfathomable.” The ensuing romantic and sexual complications are worked out with almost Shakespearean finesse and unpredictability (Ellen, for example, pairs up with Jonathan’s ridiculously handsome brother, Roger, “a disobliging nutcase with a set of unlikeable habits”).
Trapido blithely analyzes her people’s sometimes disastrous comings and goings in a bittersweet, often very sexy romance reminiscent of the fiction of Muriel Spark, Beryl Bainbridge and perhaps Rose Macaulay. But she is triumphantly her own woman, and this is one of her most entertaining books.Pub Date: Jan. 1, 1999
ISBN: 0-670-88357-3
Page Count: 245
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1998
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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