A solid biography that can be enjoyed by readers of more than one generation.
Biographer Jones (Washington Irving: An American Original, 2007) relies on strict chronology to tell the life of Muppets creator Jim Henson (1936–1990).
With the cooperation of the Henson family, the author portrays his subject as not only innovative, but also mostly upbeat and pleasant to work with. Since the Muppets are mostly feel-good creations and Henson was mostly a feel-good guy, the biographical narrative sometimes lacks tension. That is a minor shortcoming, however. Jones is masterful at explaining how Henson grew up to become a daring puppeteer and scriptwriter, how he managed to attract so much remarkable talent to his side, and how his stressful business relationship with the Disney Company might have aggravated the bacterial infection that weakened the normally healthy Henson, who died at age 53 while trying to negotiate the planned Disney purchase of the franchise. (Note: While there was speculation at the time of his death that the Disney negotiations had a detrimental effect on Henson's health, there is no medical proof that this was the case.) Jones does not ignore Henson's separation from his wife/creative partner, nor his extramarital affair with a much younger woman, but the downside of Henson's personality is not Jones' primary focus. In an era of pathography, this biography stands out as positive. The writing is clear throughout, and the chronological approach allows Jones to clearly demonstrate cause and effect. Forced to become a businessman to manage what became an unexpectedly large empire, Henson often struggled with the portion of his days that felt noncreative. Jones continually shows that Henson left the world a better place, which serves as the book's theme. The author ably shows many reasons why Kermit the Frog, Miss Piggy and many other Henson creations are recognizable more than two decades after his death.
A solid biography that can be enjoyed by readers of more than one generation.Pub Date: Sept. 24, 2013
ISBN: 978-0-345-52611-3
Page Count: 592
Publisher: Ballantine
Review Posted Online: June 24, 2013
Kirkus Reviews Issue: July 15, 2013
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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