Spot-on satire or earnest picture of youth in transition? That’s up to readers to decide with Coy’s debut novel about being young and part of the Nashville scene.
Neil Oberlin, the novel’s narrator, is a graphic designer and music aficionado who has been in Nashville for a few years. The circumstances of his move—new job, death in the family, freshly degreed from graduate school—left Neil somewhat dazed, but his life has settled into a groove of seeking out clients, attending concerts, and hanging out with a cadre of friends who deliver rueful, self-aware political manifestos. Neil’s life is upended, however, by the latest musical star in the Nashville firmament, Garrett Sedgwick, who hires Neil to design the cover art for his latest album. In the process of hanging out and working with Sedgwick, Neil makes a discovery about the soon-to-be-legendary musician that sets his perspective spinning and provides Neil with insights he might have preferred to do without. Coy’s voice is strong and sure; he captures Neil’s voice and tone with specificity and confidence. However, readers’ tolerance for Neil and his impressions of the Nashville scene may strongly depend on whether they see the novel as a satire of the hip, ironic detachment and self-reflexive views of the millennial generation or an earnest attempt to capture their thoughts and hopes in the second decade of the 21st century. Those who see Coy’s work as being meant seriously will likely find the characters vacuous and talkative to a fault, and the thrust of the narrative will be greatly diluted. For those who see a satirical purpose to Coy’s prose, the narrative will likely carry more resonance, and the end result of Sedgwick and Oberlin’s relationship will have a particular melancholy weight, even when seen through the satirical lens.
A well-defined social milieu and articulate characters make Coy’s is it/isn’t it novel an interesting, if uncertain, experience.Pub Date: July 15, 2015
ISBN: 978-0-692-47942-1
Page Count: 282
Publisher: CreateSpace
Review Posted Online: Sept. 9, 2015
Review Program: Kirkus Indie
Categories: GENERAL FICTION
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Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Categories: GENERAL FICTION
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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.
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Inseparable identical twin sisters ditch home together, and then one decides to vanish.
The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.Pub Date: June 2, 2020
ISBN: 978-0-525-53629-1
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 15, 2020
Kirkus Reviews Issue: April 1, 2020
Categories: LITERARY FICTION | GENERAL FICTION
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