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INTO THIN AIR

More psychopathology as fiction by the author of Family (1987), Jealousies (1983), etc., this time about a troubled teen named Lee and the people she damages. True, Lee's damaged herself to begin with when her beloved mother, a gym teacher in Philadelphia, dies of cancer. Much too soon afterward, her father brings home an abrasive new wife, and Lee turns bad, staying out late, boozing, acting like a slut, and eventually running away altogether with nice-guy Jim Archer, a pharmacology student in Baltimore. By 19, Lee's pregnant, lonely, smothering beneath Jim's love, and trapped ``in a web of false forevers that made her panic to escape.'' So the day after she delivers a little girl—whom Jim will name Joanna—Lee absconds (sans baby), getting to know the shoulders of roads and cheap motel rooms in Richmond, Atlanta, Lubbock, and finally Madison, Wisconsin. Meanwhile, Jim's in shock and remains so for over a year (``How could someone just disappear? Presto change-o''). But by the time seven years pass, he falls in love again—with a redheaded nurse—and gets Lee proclaimed legally dead so that he can marry Lila. Meanwhile, hunkered down in Madison, a very undead Lee lands a job at a restaurant, forming difficult relationships with its owner, Valerie, her brother Andy, and Valerie's impossible adopted daughter, Karen. The little girl gets Lee thinking about the baby (and husband) she left behind. So, before the close, Lee heads back east to reveal herself to Jim, Lila, and Joanna, creating havoc from which—the author tries to suggest—healing will come. As protagonist, Lee's a tough sell, and even though Leavitt does everything she can to explain why the girl does the rotten things she does, she doesn't capture her voice—which keeps the justifications purely clinical. Some attractive prose, then, but beyond that the effect is anesthetizing.

Pub Date: Feb. 16, 1993

ISBN: 0-446-51704-6

Page Count: 320

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 1992

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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