A tender, if disjointed, account of a dysfunctional British family.
A debut novel delivers a family drama set in England in the years immediately following World War II.
Elizabeth Borge was working at a U.S. air base in England in the late 1940s when she met Lonnie Caradine, an American technical sergeant who quickly swept her off her feet. Lonnie gets her pregnant—twice—and promises to marry her, but returns to the U.S. and eventually admits that he is already wed to another. Then Beth becomes pregnant again; the father is a married man named Carl. In a fit of depressive despair, she attempts to kill herself by swallowing a swarm of pills, but she survives, as does her third child, Natalie. Beth finds herself charged with a bevy of crimes, including the attempted murder of her unborn daughter. Beth’s mother, Mary, with whom she suffers a historically strained relationship, helps her secure a lawyer and successfully solicit a letter from President Dwight D. Eisenhower and the Air Force. They admit Lonnie’s parentage of two children and guarantee his financial support, allowing Beth to elude jail time. While she recovers in a hospital, her son, Steven, and her first daughter, Lizzie, live with Mary and adjust to a new home and routine. Once Beth is released, she and her mother convert a portion of Mary’s home into a boardinghouse. They first rent to a rowdy Irish family that withholds payment until the two take legal action, and then to an Indian man, Dan Patel, whom Beth eventually marries. Sherouse bases her touching novel on her own life and adopts shifting perspectives. She recounts the action sometimes through Beth’s eyes and sometimes from the vantage point of Mary or Lizzie, a fictional device that is by turns epistemologically intriguing and a bit confusing. The author’s artistic range is considerable—she hits lightheartedly jocose notes with the same aplomb that she depicts the grimly serious, like Lizzie’s sexual abuse at the hands of Patel. But the plot can get bogged down in the humdrum depiction of quotidian affairs—the book often seems to be a memoir-like catalog of events rather than a dramatic novel—and as a result the pace can be slack.
A tender, if disjointed, account of a dysfunctional British family.Pub Date: Jan. 29, 2018
ISBN: 978-1-976975-13-4
Page Count: 232
Publisher: CreateSpace
Review Posted Online: March 5, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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