The real value of this work is in the recounting of the ends of two classes, the lower and the very upper.

BLACK DIAMONDS

THE DOWNFALL OF AN ARISTOCRATIC DYNASTY AND THE FIFTY YEARS THAT CHANGED ENGLAND

TV producer and director Bailey (The Secret Rooms: A True Gothic Mystery, 2012) uses the downfall of the Fitzwilliam family to examine the history of the coal industry in England.

The author’s remarkable story primarily covers the time of the seventh Earl of Fitzwilliam, who inherited the title in 1902. She shows how class differences and the effect of two wars, strikes and the final blow of the postwar Labour government brought down many of the aristocracy. The Fitzwilliams lived at Wentworth House, one of England’s largest privately owned homes. Bailey uses accounts of the miners and their families to describe both the lives of the wealthy Fitzwilliam family and those of the poverty-stricken laborers. Low pay and long working days were hard enough, but when times were bad, the corporate mine owners cut pay and shortened the work week. After World War I, German reparations included providing free coal to the European victors, undercutting the English market and halving the earnings of the miners. The Fitzwilliams, especially the seventh Earl and his wife, were particularly well-liked, as they continued a feudal tradition of caring for their workers. “Lordie,” as he was known, insisted on maintaining the latest safety measures. During the long coal strike of 1926, they fed all the local children, organized games, created work on their other estates and even provided coal. The ruin of Britain’s stately homes and the end of coal as a primary industry were due to the steam engine, better transport and refrigeration, as well as the increase in inheritance taxes from 15 to 50 percent. Wartime nationalization of the mines and sequestration of estates served as the final blows. Gossipy bits—e.g., questioned legitimacy, grand entertainments and “Kick” Kennedy’s marriage to the Devonshire heir and subsequent affair with the ninth Earl—keep the reading lively.

The real value of this work is in the recounting of the ends of two classes, the lower and the very upper.

Pub Date: Dec. 30, 2014

ISBN: 978-0143126843

Page Count: 520

Publisher: Penguin

Review Posted Online: Oct. 18, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Thus the second most costly war in American history, whose “outcome seemed little short of a miracle.” A sterling account.

1776

A master storyteller’s character-driven account of a storied year in the American Revolution.

Against world systems, economic determinist and other external-cause schools of historical thought, McCullough (John Adams, 2001, etc.) has an old-fashioned fondness for the great- (and not-so-great) man tradition, which may not have much explanatory power but almost always yields better-written books. McCullough opens with a courteous nod to the customary villain in the story of American independence, George III, who turns out to be a pleasant and artistically inclined fellow who relied on poor advice; his Westmoreland, for instance, was a British general named Grant who boasted that with 5,000 soldiers he “could march from one end of the American continent to the other.” Other British officers agitated for peace, even as George wondered why Americans would not understand that to be a British subject was to be free by definition. Against these men stood arrayed a rebel army that was, at the least, unimpressive; McCullough observes that New Englanders, for instance, considered washing clothes to be women’s work and so wore filthy clothes until they rotted, with the result that Burgoyne and company had a point in thinking the Continentals a bunch of ragamuffins. The Americans’ military fortunes were none too good for much of 1776, the year of the Declaration; at the slowly unfolding battle for control over New York, George Washington was moved to despair at the sight of sometimes drunk soldiers running from the enemy and of their officers “who, instead of attending to their duty, had stood gazing like bumpkins” at the spectacle. For a man such as Washington, to be a laughingstock was the supreme insult, but the British were driven by other motives than to irritate the general—not least of them reluctance to give up a rich, fertile and beautiful land that, McCullough notes, was providing the world’s highest standard of living in 1776.

Thus the second most costly war in American history, whose “outcome seemed little short of a miracle.” A sterling account.

Pub Date: June 1, 2005

ISBN: 0-7432-2671-2

Page Count: 656

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2005

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