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UNWRITTEN

Buy tissues. Tears will flow.

Katie Quinn learns "[l]ife in the spotlight, on the pedestal, at the top of the world was a lonely, singular, desolate, soul-killing place" in Martin’s (Thunder and Rain, 2012, etc.) latest.

Katie’s an actress. Think Streep’s talent and Jolie’s beauty. Katie’s also burdened with near-unbearable pain. A performer able to subsume herself into character, Katie’s being destroyed—too much work, too many demands, too many prescription drugs, too many men too ready to use her. That means three ex-husbands and a biographer, a writer who deceives her and then publishes a lie-filled tabloid-headlining book. Katie has one true friend, Steady, an elderly Catholic priest. After suicide attempts and failed rehab, Katie has offered a troubling confession. Father Steady is apprehensive. He turns to another lost soul for help, a friend he calls Sunday, a man with his own dark secret. Setting his novel in Miami and Florida’s Ten Thousand Islands, Martin sends Sunday and Steady to rescue Katie as she attempts to hang herself. They spirit her away to Sunday’s home, a refurbished fishing trawler anchored at the Everglades’ edge. Pampered and spoiled, angry and depressed, Katie’s resentful at first and then intrigued when Sunday offers an escape through the "third door"—a faked death, a path with which he’s familiar. Martin then private-jets the story to France and Château de Langeais, where chameleon Katie is living another life under another identity. There, as Katie grows slowly to trust Sunday, she opens herself emotionally but then collapses and rejects him after revealing her bleakest secret. Her repudiation is the catalyst inspiring Sunday to reveal his own troubled history with success and fame, allowing Katie and Sunday to discover "[a]ll hearts have but one request. To be known." The novel stumbles over a minor plot hole or two, but there are orphans, pilgrimages to a children’s hospital and other calamities as Martin’s story charges headlong into the sentimental territory—and best-seller terrain—of The Notebook, which doubtless will mean major studio screen treatment.

Buy tissues. Tears will flow.

Pub Date: May 7, 2013

ISBN: 978-1-455-50395-7

Page Count: 336

Publisher: Center Street/Hachette

Review Posted Online: June 2, 2013

Kirkus Reviews Issue: June 15, 2013

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THE MOST FUN WE EVER HAD

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...

Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.

Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.

Pub Date: June 25, 2019

ISBN: 978-0-385-54425-2

Page Count: 544

Publisher: Doubleday

Review Posted Online: March 3, 2019

Kirkus Reviews Issue: March 15, 2019

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WITHOUT FAIL

From the Jack Reacher series , Vol. 6

Relentlessly suspenseful and unexpectedly timely: just the thing for Dick Cheney’s bedside reading wherever he’s keeping...

When the newly elected Vice President’s life is threatened, the Secret Service runs to nomadic soldier-of-fortune Jack Reacher (Echo Burning, 2001, etc.) in this razor-sharp update of The Day of the Jackal and In the Line of Fire that’s begging to be filmed.

Why Reacher? Because M.E. Froelich, head of the VP’s protection team, was once a colleague and lover of his late brother Joe, who’d impressed her with tales of Jack’s derring-do as an Army MP. Now Froelich and her Brooks Brothers–tailored boss Stuyvesant have been receiving a series of anonymous messages threatening the life of North Dakota Senator/Vice President–elect Brook Armstrong. Since the threats may be coming from within the Secret Service’s own ranks—if they aren’t, it’s hard to see how they’ve been getting delivered—they can’t afford an internal investigation. Hence the call to Reacher, who wastes no time in hooking up with his old friend Frances Neagley, another Army vet turned private eye, first to see whether he can figure out a way to assassinate Armstrong, then to head off whoever else is trying. It’s Reacher’s matter-of-fact gift to think of everything, from the most likely position a sniper would assume at Armstrong’s Thanksgiving visit to a homeless shelter to the telltale punctuation of one of the threats, and to pluck helpers from the tiny cast who can fill the remaining gaps because they aren’t idiots or stooges. And it’s Child’s gift to keep tightening the screws, even when nothing’s happening except the arrival of a series of unsigned letters, and to convey a sense of the blank impossibility of guarding any public figure from danger day after highly exposed day, and the dedication and heroism of the agents who take on this daunting job.

Relentlessly suspenseful and unexpectedly timely: just the thing for Dick Cheney’s bedside reading wherever he’s keeping himself these days.

Pub Date: May 1, 2001

ISBN: 0-399-14861-2

Page Count: 384

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2002

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