With themes like emptiness, silence, and stasis repeated in triplicate, it grows three times harder to care.
This volume contains the three collections in the last of Wright’s three trilogies (of three collections each), plus (if your eyes have not yet glazed over) some additional material referred to in the subtitle as “Selected Later Poems,” which the publisher felt it necessary to bring to our attention lest our joy thrice three be incomplete. He needn’t have bothered himself—or us. An ennead is more than enough. The poet himself, with typical grace, declares early on in the first of the third of these three tripartite trilogies that “Unlike a disease, whatever I’ve learned isn’t communicable.” Since Wright teaches at the University of Virginia in Charlottesville, it will be hoped he was just kidding. Later on he says, “The poem is a code with no message,” a principle he has clearly mastered. Wright balances all this negative attitude with some way-cool faux-Zen detachment, writing verse in the manner, he claims, of Li Ho and Tu Fu and Lao Tzu and Wang Wei and Li Po. But only rarely does Wright write like someone who is not a depressed cynic. He is proclaimed an Appalachian poet, yet apart from mentioning a couple of shrubs that won’t grow in the North, Wright gives us only endlessly abstract “landscapes,” a term he tosses into his poems with a frequency most writers reserve for the indefinite article. He is also depressing. Nothing is beautiful. Even a sunset is seen, with incredible triple alliteration, as “life’s loss-logo.” The verse is dry, dull, and, in true academic fashion, almost wholly detached from its subject matter (i.e., anything real).
With themes like emptiness, silence, and stasis repeated in triplicate, it grows three times harder to care.Pub Date: May 1, 2000
ISBN: 0-374-22020-4
Page Count: 224
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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