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ARTISTIC DIFFERENCES

Another version of the showbiz story about the Impossible Star who makes life hell for everybody—this time in the context of a TV sitcom. Jimmy Hoy and Neil Stein are a successful TV comedy writing team in Hollywood. Neil is the anxious one (not surprising, given his eight dependents and splashy lifestyle), and narrator Jimmy is the carefree single guy, dating dizzy little actress Kiki while staying cordial with ex-wife Miranda. By the end, Neil's marriage will be history, Kiki will have left town, and Jimmy will be ``wholly reconnected'' with Miranda, but all this is strictly background: the only person center stage is the gorgeous though talentless Geneva Holloway, who's already graced the cover of TV Guide when she's chosen for Jimmy and Neil's latest series (replacing a super-hostile, gun-waving black star). But from the start, she is trouble, insisting on ridiculous script-changes, getting a pedicure while listening to the story presentation, then treacherously dumping her handpicked, HIV-positive hairdresser (who will later commit suicide). Even Jimmy's threat to quit (``this is the most egregious fucking bullshit'') and Neil's suicide attempt do not throw Geneva off stride; what finally gets her dismissed is her direct attack on production company head Avery Schine (``You needle-dicked bug fucker!''). End of story? Not quite, for first- novelist Hauck is well and truly stuck to his tar baby; there follows a ludicrous epilogue in which Geneva, shooting a movie-of- the-week in Africa, falsely accuses a native of theft and has her hand cut off by the authorities. Crude, humorless, in-your-face stuff. Each chapter is preceded by a mildly amusing showbiz anecdote, maybe to compensate for the sour taste of what follows.

Pub Date: June 24, 1993

ISBN: 0-688-12152-7

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1993

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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