Edgerton’s knowledge about music is on full display, as is his understanding of the subtleties of race relations as the...

THE NIGHT TRAIN

James Brown connects two boys, white and black, in a light novel about North Carolina in the tense 1960s.

Veteran novelist Edgerton (The Bible Salesman, 2008, etc.) is profoundly skilled at taking on some of Southern literature’s most difficult themes—race and religion especially—and addressing them with both respect and humor. The hero of his latest, set in 1963, is Larry Lime, a black teenager whose musical talent is nurtured by the Bleeder, the star pianist at a club on the outskirts of a small North Carolina town. Larry takes what he's learned to his job at a furniture shop, where he advises Dwayne, who's trying to get his band to play a note-for-note version of James Brown’s iconic Live at the Apollo album. Southern mores demand that Larry support Dwayne (who's white) without attracting attention, and Edgerton deftly shifts from intimate looks at their growing friendship to wide-angle shots of the racial divides among businesses and residents in the area. And he smartly merges social commentary with comedy: As Larry and Dwayne concoct a ridiculous plot to toss a chicken from a movie-theater balcony during a tense scene in The Birds, Edgerton gently highlights how the theater’s segregation policy inspired the idea in the first place. Various subplots involving Larry's extended family underscore the point that the color line was more porous than anybody wanted to admit at the time, though in the closing chapters Edgerton strains to sound an uplifting note without coming off as mawkish. Still, the command of Southern idioms and culture that earned him his reputation remains solid, and his affinity for simple sentences and clean chapter breaks give this slim novel an almost fable-like power.

Edgerton’s knowledge about music is on full display, as is his understanding of the subtleties of race relations as the Civil Rights Movement picked up steam.

Pub Date: July 25, 2011

ISBN: 978-0-316-11759-3

Page Count: 224

Publisher: Little, Brown

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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An almost-but-not-quite-great slavery novel.

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THE WATER DANCER

The celebrated author of Between the World and Me (2015) and We Were Eight Years in Power (2017) merges magic, adventure, and antebellum intrigue in his first novel.

In pre–Civil War Virginia, people who are white, whatever their degree of refinement, are considered “the Quality” while those who are black, whatever their degree of dignity, are regarded as “the Tasked.” Whether such euphemisms for slavery actually existed in the 19th century, they are evocatively deployed in this account of the Underground Railroad and one of its conductors: Hiram Walker, one of the Tasked who’s barely out of his teens when he’s recruited to help guide escapees from bondage in the South to freedom in the North. “Conduction” has more than one meaning for Hiram. It's also the name for a mysterious force that transports certain gifted individuals from one place to another by way of a blue light that lifts and carries them along or across bodies of water. Hiram knows he has this gift after it saves him from drowning in a carriage mishap that kills his master’s oafish son (who’s Hiram’s biological brother). Whatever the source of this power, it galvanizes Hiram to leave behind not only his chains, but also the two Tasked people he loves most: Thena, a truculent older woman who practically raised him as a surrogate mother, and Sophia, a vivacious young friend from childhood whose attempt to accompany Hiram on his escape is thwarted practically at the start when they’re caught and jailed by slave catchers. Hiram directly confronts the most pernicious abuses of slavery before he is once again conducted away from danger and into sanctuary with the Underground, whose members convey him to the freer, if funkier environs of Philadelphia, where he continues to test his power and prepare to return to Virginia to emancipate the women he left behind—and to confront the mysteries of his past. Coates’ imaginative spin on the Underground Railroad’s history is as audacious as Colson Whitehead’s, if less intensely realized. Coates’ narrative flourishes and magic-powered protagonist are reminiscent of his work on Marvel’s Black Panther superhero comic book, but even his most melodramatic effects are deepened by historical facts and contemporary urgency.

An almost-but-not-quite-great slavery novel.

Pub Date: Sept. 24, 2019

ISBN: 978-0-399-59059-7

Page Count: 432

Publisher: One World/Random House

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: July 15, 2019

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