Capturing the stink and gore, violence and romance of medieval life, Iggulden makes real those grand characters who live in...
Iggulden (The Blood of Gods, 2013, etc.) rallies dukes and barons, archers and peasants, schemers and warriors in this first in a trilogy chronicling the 15th-century War of the Roses.
Henry VI, only 22, assumes England’s crown; he's "a dear white lamb to lead us in prayer"—the opposite of his warrior father—and he mystically believes hours of prayer keep France at bay. "Bring me a truce, Derry," he commands Master Derihew Brewer, once an archer and now the king’s spymaster. Brewer brokers a treaty with France’s King Charles and Duke René of Anjou for the marriage of the duke’s daughter, 14-year-old Margaret, to Henry in return for the English-held lands of Anjou and Maine. Powerful warrior royals like Richard, Duke of York, are opposed. Others, like William, Lord Suffolk, are ambivalent but loyal to the crown. The marriage is made, English protection is withdrawn, and the farms and settlements in Maine and Anjou become prey to the French. Worse, the collapse of those betrayed English bastions causes violent unrest in England. Giving color to various scenes and schemes, Iggulden skillfully depicts bloody clashes as English settlers fight, then retreat from Maine, Anjou and Normandy into Calais, followed by action-packed and nerve-racking street fighting when rebellious Kentish Freemen march into London. With Suffolk dead, the precociously intelligent and courageous Queen Margaret, along with other loyal lords, relies on Brewer’s scheming to secure the physically weak and emotionally damaged Henry. An heir is needed. Other lords conspire to name York Protector and Defender of the Realm. Iggulden superbly dissects the dogfight among Edward Longshanks’ descendants, but he also creates memorable fictional characters—in addition to Brewer, there's Thomas Woodchurch, an English archer–turned–Anjou wool merchant drawn back to the bow.
Capturing the stink and gore, violence and romance of medieval life, Iggulden makes real those grand characters who live in the collective memory. A page-turner sure to have readers eager for the next in the series.Pub Date: July 8, 2014
ISBN: 978-0-399-16536-8
Page Count: 496
Publisher: Putnam
Review Posted Online: May 6, 2014
Kirkus Reviews Issue: May 15, 2014
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
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