A capable western in the vein of McMurtry, not L’Amour. Well suited to those who like their historical fiction more...
Restless Indians meet hard-bitten pioneers, bluecoats, and bureaucrats.
The hero is again Doc McGillycuddy, introduced in O’Brien’s The Contract Surgeon (1999). He’s been roaming the Great Plains for a few years and seen his fair share of battle and scrapes, including the fresh aftermath of Little Bighorn. Now, he’s ready for a regular salary in order to provide for his ailing wife, so he heads back to Washington to apply for the medical corps of the regular army—and gets more than he bargained for. Having issued his opinions on the need to turn the conquered Plains Indians into good citizens of the United States (“most Sioux . . . would like to put the past behind them and move, as they say, down the white man’s road”), he’s pressed into service as the Indian agent for the newly created Pine Ridge Reservation—formerly the Red Cloud Agency, so named after a particularly troubling leader, who lately has been up to his plotting again. O’Brien peppers his narrative with useful bits of history and anthropology, and his story moves easily along a course fraught with peril for most of the principals as Red Cloud’s followers begin to drift northward to start a new war against the whites, who have been pouring into the Black Hills in search of gold. After McGillycuddy has armed a band of Sioux policemen to serve as his lieutenants, O’Brien writes that “There were a thousand possible sparks in this wild landscape, and McGillycuddy, who . . . was entrusted to predict where those sparks might be and to douse them quickly, wondered if he had not fanned one instead.” A great prairie fire does indeed ensue, the product of contemporary politics and no end of cultural misunderstanding, all of which O’Brien does a good job of explaining.
A capable western in the vein of McMurtry, not L’Amour. Well suited to those who like their historical fiction more historical than fictitious.Pub Date: Oct. 1, 2004
ISBN: 1-59228-244-X
Page Count: 288
Publisher: Lyons Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2004
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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