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Into Light and Shadow

A JOURNEY

Successful as a parable; less so as a novel.

In Gordon’s debut novel, a near-death experience sparks an eclectic search for spiritual fulfillment.

Steve Forrest is a quintessential go-getter. From his career as a high-powered corporate lawyer to his passion for mountaineering expeditions, Steve relentlessly pursues his goals. It’s only after a near-lethal accident on the slopes of Mount Everest leaves him partially paralyzed that Steve recognizes his life as a shallow “exercise in ego.” Fired from his soulless job, served divorce papers by his embittered wife, and reeling from the loss of his mobility, Steve is forced to focus on what he calls the Light: a sense of all-consuming love that surrounded him during his accident and showed him the errors of his previous lifestyle. Guided by Father Jack, a preternaturally wise Catholic priest/psychotherapist/Zen Buddhist he meets in the hospital, Steve embarks on a quest to redeem his misspent life. Gordon tracks Steve’s experiments with an array of spiritual traditions, from Christian mysticism to Chinese qi gong. Along the way, Steve repairs his relationships with his children, joins an environmental law firm, and reconnects with his Native American roots, among other admirable accomplishments. Despite his ostensible struggles, Steve’s success seems preordained from the outset; he tidily overcomes each new obstacle in his path, steadily progressing toward enlightenment. Rather than fully realized individuals, the supporting characters, particularly all-knowing Jack, read as plot devices tailor-made to enhance Steve’s growth. Much of their dialogue is rather unrealistic: “I suspect the terror you’ve been feeling is rooted in your ego.” However, what the book lacks in character development and narrative tension, it makes up for in philosophical sophistication. Gordon is clearly knowledgeable about the religious concepts that Steve encounters, and his explanations of them are clear and engaging. Though he draws heavily from Zen Buddhism, the author’s omnivorous, nondenominational take on spirituality is refreshing, and he deftly balances and integrates each of the many traditions that come into play. Particularly for readers interested in pursuing their own spiritual development, Steve’s story may serve as a useful and enjoyable model. 

Successful as a parable; less so as a novel.

Pub Date: Jan. 13, 2014

ISBN: 978-0-9912772-0-9

Page Count: 334

Publisher: CreateSpace

Review Posted Online: Aug. 14, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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