A raw, relatable memoir exploring mental health and immigrant experiences.
Poignant images and text capture the emotional challenges faced by a Korean American teen in New Jersey.
Artist Lee looks back on fraught high school years of longing to fit in. But Lee was withdrawn and socially awkward and suffered frequent microaggressions. Orchestra, formerly a refuge, got more competitive; Lee gravitated toward drawing rather than practicing violin. Having immigrated at age 3, Lee felt neither Korean nor fully American. Anxiety led to intense clinginess, making friendships a struggle. Home was no safe haven—Dad was warmly sympathetic, but Mom is shown as demanding and prone to out-of-control rages. Lee’s fragile mental health plummeted, leading to a suicide attempt, but fortunately, therapy sessions allowed space to reflect on a difficult, lonely childhood, and weekly art classes in New York City offered hope and a place to feel seen and understood. Later, a trip to Korea helped Lee move toward acceptance and forgiveness. Confusion and pain are depicted through artful, largely digitally created grayscale images that evoke ink wash and pencil sketches and convey Lee’s growing hopelessness. The panels vary dramatically in shape, size, and perspective, bringing readers in for intense, intimate close-ups and pulling back to offer a broader overview of events. The mother-child relationship is especially well portrayed, nuanced, and resonant. Befitting a memoir that addresses transgenerational language barriers, some conversations include Korean phrases that are not translated into English.
A raw, relatable memoir exploring mental health and immigrant experiences. (author’s note) (Graphic memoir. 14-18)Pub Date: March 7, 2023
ISBN: 978-1-250-25266-1
Page Count: 352
Publisher: First Second
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
BOOK REVIEW
PERSPECTIVES
A tribute to young people’s resistance in the face of oppression.
In 1983 South Korea, Kim was learning to navigate university and student political activism.
The daughter of modest restaurant owners, Kim was apolitical—she just wanted to make her parents proud and be worthy of her tuition expenses. Following an administrator’s advice to avoid trouble and pursue extracurriculars, she joined a folk dance team where she met a fellow student who invited her into a banned book club. Kim was fearful at first, but her thirst for knowledge soon won out. As she learned the truth of her country’s oppressive fascist political environment, Kim became closer to the other book club members while the authorities grew increasingly desperate to identify and punish student dissidents. The kinetic manhwa drawing style skillfully captures the personal and political history of this eye-opening memoir. The disturbing elements of political corruption and loss of human rights are lightened by moving depictions of sweet, funny moments between friends as well as deft political maneuvering by Kim herself when she was eventually questioned by authorities. The art and dialogue complement each other as they express the tension that Kim and her friends felt as they tried to balance school, family, and romance with surviving in a dangerous political environment. References to fake news and a divisive government make this particularly timely; the only thing missing is a list for further reading.
A tribute to young people’s resistance in the face of oppression. (Graphic memoir. 14-adult)Pub Date: May 19, 2020
ISBN: 978-1-945820-42-7
Page Count: 192
Publisher: Iron Circus Comics
Review Posted Online: Nov. 18, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A beautiful meditation on the tender, fraught interior lives of Black boys.
The acclaimed author of Between the World and Me (2015) reflects on the family and community that shaped him in this adaptation of his 2008 adult memoir of the same name.
Growing up in Baltimore in the ’80s, Coates was a dreamer, all “cupcakes and comic books at the core.” He was also heavily influenced by “the New York noise” of mid-to-late-1980s hip-hop. Not surprisingly then, his prose takes on an infectious hip-hop poetic–meets–medieval folklore aesthetic, as in this description of his neighborhood’s crew: “Walbrook Junction ran everything, until they met North and Pulaski, who, craven and honorless, would punk you right in front of your girl.” But it is Coates’ father—a former Black Panther and Afrocentric publisher—who looms largest in his journey to manhood. In a community where their peers were fatherless, Coates and his six siblings viewed their father as flawed but with the “aura of a prophet.” He understood how Black boys could get caught in the “crosshairs of the world” and was determined to save his. Coates revisits his relationships with his father, his swaggering older brother, and his peers. The result will draw in young adult readers while retaining all of the heart of the original.
A beautiful meditation on the tender, fraught interior lives of Black boys. (maps, family tree) (Memoir. 14-18)Pub Date: Jan. 12, 2021
ISBN: 978-1-984894-03-8
Page Count: 176
Publisher: Delacorte
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
PERSPECTIVES
PERSPECTIVES
PERSPECTIVES
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