by Deepak Unnikrishnan ‧ RELEASE DATE: March 14, 2017
An enchanting, unparalleled anthem of displacement and repatriation.
Guest workers of the United Arab Emirates embody multiple worlds and identities and long for home in a fantastical debut work of fiction, winner of the inaugural Restless Books Prize for New Immigrant Writing.
In 28 engrossing linked stories, Unnikrishnan blends Malayalam, Arabic, and English slang as well as South Asian and Persian Gulf cultures to capture the disjunction and dissociation of temporary foreign workers who live in the Arabian Peninsula but will never receive citizenship. In “Gulf Return,” a laborer swallows his passport and turns into a passport, and his roommate swallows a suitcase and turns into a suitcase so that their third friend can dash away with them both to the airport. In “Birds,” Anna Varghese tapes construction workers who fall from tall buildings back together. “Anna had a superb track record for finding fallen men….She found everything, including teeth, bits of skin.” The tongue of an English-speaking teen escapes from his mouth, shedding words with every step in the agile “Glossary.” “Verbs, adjectives, and adverbs died at the scene but the surviving nouns, tadpole-sized, see-through, fell like hail.” A lonely renegade cockroach called The General mimics humanlike qualities in the ingenious “Blatella Germanica.” “It was when he started picking up the language of the building’s tenants, bits of Arabic from the Palestinians and the Sudanese, Tagalog from the Filipinos, modern variations of Dravidian languages, that he began crafting a custom-made patois from the many tongues he heard, then practicing it at night in the kitchen, as he foraged walking on two legs and in costume, that he startled the other Germanicas in his community, and they ostracized him.” The author’s crisp, imaginative prose packs a punch, and his whimsical depiction of characters who oscillate between two lands on either side of the Arabian Sea unspools the kind of immigrant narratives that are rarely told.
An enchanting, unparalleled anthem of displacement and repatriation.Pub Date: March 14, 2017
ISBN: 978-1-63206-142-3
Page Count: 240
Publisher: Restless Books
Review Posted Online: Dec. 14, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by Tim O’Brien ‧ RELEASE DATE: March 28, 1990
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
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by Chinua Achebe ‧ RELEASE DATE: Jan. 23, 1958
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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