Something less than the definitive portrait of a frustratingly elusive great writer, but an agreeable read nonetheless, and...
Giardina turns from socially conscious historical novels (Fallam’s Secret, 2003, etc.) to a fictionalized biography of sui generis poet and novelist Emily Brontë.
It begins with a flash-forward in which Emily, anticipating her death from consumption, begins to read her masterpiece Wuthering Heights to her indulgent father Patrick, a venerable Yorkshire clergyman. The story then focuses on Emily’s childhood as one of five sisters, two of whom predecease her, and the bond of solidarity formed with siblings Anne and Charlotte, who will also live to write memorable fiction. Headstrong Emily incurs the displeasure of her masters at the Clergy Daughters’ School, to which the Brontë girls are sent to prepare for careers as governesses, and upon returning home scandalizes neighbors by roaming the moors unchaperoned, accompanied by her favorite dog and trained hawk. But her horizons expand significantly when handsome young curate William Weightman arrives to assist elderly Reverend Brontë. Weightman’s romantic imagination and passionate solidarity with exploited workers agitating for overdue reform attract Emily’s sympathetic attention and eventually her devotion. A catastrophic cholera outbreak destroys the incipient lovers’ dreams, and Emily retreats into the world of her teeming imagination, creating her passionate antagonist Heathcliff out of Weightman’s stoical decency and her own austere independence. Giardina’s research tends to occupy undue space and slacken the narrative pace. But the surpassingly strange Brontë family, which also includes surly ne’er-do-well brother Branwell, offers a fascinating spectacle, and the reader’s attention is held throughout several labored and redundant sequences. Most interesting, perhaps, is the pointed contrast Giardina presents between Emily’s untrammeled, indeed often admirable egoism and Charlotte’s emotional meanness and ruthless careerism.
Something less than the definitive portrait of a frustratingly elusive great writer, but an agreeable read nonetheless, and a good bet for reading groups.Pub Date: July 27, 2009
ISBN: 978-0-393-06915-0
Page Count: 320
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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