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EMILY’S GHOST

A NOVEL OF THE BRONTË SISTERS

Something less than the definitive portrait of a frustratingly elusive great writer, but an agreeable read nonetheless, and...

Giardina turns from socially conscious historical novels (Fallam’s Secret, 2003, etc.) to a fictionalized biography of sui generis poet and novelist Emily Brontë.

It begins with a flash-forward in which Emily, anticipating her death from consumption, begins to read her masterpiece Wuthering Heights to her indulgent father Patrick, a venerable Yorkshire clergyman. The story then focuses on Emily’s childhood as one of five sisters, two of whom predecease her, and the bond of solidarity formed with siblings Anne and Charlotte, who will also live to write memorable fiction. Headstrong Emily incurs the displeasure of her masters at the Clergy Daughters’ School, to which the Brontë girls are sent to prepare for careers as governesses, and upon returning home scandalizes neighbors by roaming the moors unchaperoned, accompanied by her favorite dog and trained hawk. But her horizons expand significantly when handsome young curate William Weightman arrives to assist elderly Reverend Brontë. Weightman’s romantic imagination and passionate solidarity with exploited workers agitating for overdue reform attract Emily’s sympathetic attention and eventually her devotion. A catastrophic cholera outbreak destroys the incipient lovers’ dreams, and Emily retreats into the world of her teeming imagination, creating her passionate antagonist Heathcliff out of Weightman’s stoical decency and her own austere independence. Giardina’s research tends to occupy undue space and slacken the narrative pace. But the surpassingly strange Brontë family, which also includes surly ne’er-do-well brother Branwell, offers a fascinating spectacle, and the reader’s attention is held throughout several labored and redundant sequences. Most interesting, perhaps, is the pointed contrast Giardina presents between Emily’s untrammeled, indeed often admirable egoism and Charlotte’s emotional meanness and ruthless careerism.

Something less than the definitive portrait of a frustratingly elusive great writer, but an agreeable read nonetheless, and a good bet for reading groups.

Pub Date: July 27, 2009

ISBN: 978-0-393-06915-0

Page Count: 320

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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