Giardina, whose previous novels Storming Heaven (1987) and The Unquiet Earth (1992) offered thoughtful, provocative considerations of the struggles of American labor, surpasses herself with this powerful re-creation of the life and martyrdom of German pastor and theologian Dietrich Bonhoeffer (190645), who participated in a plot to kill Hitler and was executed at Buchenwald in the waning days of the war. In a crisp, flexible style that skillfully alternates past and present tense, Giardina creates a compelling image of a pampered boy whose gentle nature was indulged by his prosperous family (and was nurtured by Dietrich's closeness to his twin sister, Sabine). Despite his inability to become a conventional believer, the boy grew up convinced of the morality of religious observance, and this lavishly developed story gives detailed attention to Dietrich's studies at New York's Union Theological Seminary (with Reinhold Niebuhr), his horrified encounter with American racism, his pastorates in England (where he befriended T.S. Eliot) and Germany (where he was endangered when his increasing criticisms of Nazism climaxed in the ultimatum that his countrymen choose ``Germanism or Christianity''), his service in German Military Intelligence, during which he worked against his superior officers, and a long period of imprisonment and interrogation prior to his death. This was a life lived very much in the world, and Giardina characterizes in moving depth the two women Dietrich loved and lost, as well as a vivid host of confederates and enemies, including the cautiously accommodating pastor Martin Niemîller, and the SS officer and later Judge Advocate Alois Bauer, a brilliantly imagined character whose cat-and-mouse games with his prisoner give the story a tremendous climactic charge. Giardina has the gift of making intellectual argument excitingly dramatic, this time with a dozen or more passionate exchanges in which the fate of civilization and the responsibilities of citizens are memorably debated. A big novel in every sense of the word, and a triumphant portrayal of one of the century's authentic heroes.
Pub Date: Feb. 1, 1998
ISBN: 0-393-04571-4
Page Count: 480
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1998
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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