A disappointingly unaffecting saga from West Virginia novelist Giardina (Good King Harry, 1984, Storming Heaven, 1987) about the deathwatch of a once-vibrant Appalachian mining community. Beginning when coal was still king with the 1930's childhood of central characters Rachel and cousin Dillon, Giardina introduces the men and women who live along Blackberry Creek. They are a small and close community of representative types: Arthur Lee, the company man who finally comes through decades later when tragedy strikes because ``they are my people too''; Doyle Ray, who goes to Vietnam and returns a fundamentalist preacher; Toejam, of small intellect but big heart, who marries crippled Brenda; and Hassel, a bar-owner and the most memorable and original character here, who is set on building a bridge across the creek to make life a little easier for everybody. These people's lives are shaped and dominated by the coal seams that permeate their beloved mountains and give them employment. Though Dillon, a labor activist and son of a martyred union organizer, and Rachel love each other, Rachel marries Italian bookkeeper Tony. But passion will out: the other two get together, and Jackie is conceived, though she won't know that Dillon is her real dad for most of the book. When Jackie grows up, she meets VISTA worker Tom—the 1960's War on Poverty is on— but Tom is going to be a priest, so Jackie goes to work in Washington. She's unable to forget the mountains or Tom, however, so she returns to Blackberry Creek. Here, miners are being dismissed, benefits cut, even the great strike of the 1980's is ignored by the usual sympathizers; and when the dam, built of slag at the valley head, finally bursts, the destruction of the community is complete. Lives of not-so-quiet desperation luminously described, but despite a great subject and setting, the major characters who should hold it all together never do.
Pub Date: June 1, 1992
ISBN: 0-393-03096-2
Page Count: 480
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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