One of this mystery’s investigators may be fluffy, but this thoroughly entertaining novel certainly isn’t.
A recent murder stirs up a cop’s memories of being shot in the line of duty in Ball’s (A Wedding on Ladybug Farm, 2014, etc.) latest thriller.
Aggie Malone, the police chief of Dogleg Island, Florida, barely survived when Darrell Reichart shot her in the head two years ago. She now lives with a bullet lodged in her brain and worries about Darrell’s upcoming trial for his parents’ murders. However, Aggie has the support of her boyfriend, Capt. Ryan Grady, and her faithful companion, Flash, a border collie that was found at the murder scene. Aggie and Flash find a body in the trunk of a car they find in a lagoon, and it turns out that it has a connection to the Reichart killings. Soon Aggie finds herself recalling new details of her own shooting—including the fact that another person was there that night. Meanwhile, her investigation draws her closer and closer to a murderer who hasn’t finished killing quite yet. This is an ample murder mystery with an enthralling protagonist. The story slowly reveals Aggie’s recuperation in flashbacks, and these scenes pay dividends: her injury ultimately ignited her relationship with Grady, and her recurring visions eventually lead to the unraveling of the mystery. The four-legged titular character is endearing and indispensable, and Ball gives him a straightforward perspective: he thinks in basic terms, with Aggie’s safety always in the forefront of his mind. He’s a fine sidekick, and he may be a bit smarter than his human counterparts: he suggests (by barking) that Aggie question a potential witness and exposes (with more barking) a supposed accident as an attempted murder. Ball does such an outstanding job developing Aggie, Flash, and other characters, such as retired sheriff Jerome Bishop, that the murder case gets less attention and decidedly fewer pages. Indeed, readers will likely solve the mystery with relative ease—and wonder why Aggie doesn’t solve it with equal promptness.
One of this mystery’s investigators may be fluffy, but this thoroughly entertaining novel certainly isn’t.Pub Date: May 1, 2015
ISBN: 978-0985774899
Page Count: 358
Publisher: Blue Merle Publishing
Review Posted Online: May 15, 2015
Review Program: Kirkus Indie
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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