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KOREA'S GAME

WE'RE ALREADY IN A CYBER WAR WE JUST DON'T KNOW IT

Primarily an introduction to the protagonist and his fortress, but its solid writing promises a worthy series.

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An Arizona town’s emergency services director preps for a cyberstrike, while his daughter faces a menace of an entirely different kind in McDonald’s debut thriller series-starter.

The North Korean government unsuccessfully fires missiles at the west coast of the United States. It soon appears that the action was merely a precursor to a cyberattack, as various grids start shutting down. The story then jumps back two months to the grand opening of an Arizona police substation, complete with its own independent microgrid for handling disasters. It’s the project of Selwyn “Murf” Murphy, a former Special Forces soldier who’s now the program director of emergency services in the town of Tortolita. For years, Murf has anticipated a North Korean cyberattack, so he continues to develop his substation (colloquially known as “Fort Apache”), debating such additions as a stand-alone emergency room. Meanwhile, his estranged 14-year-old daughter, Dani, is living with her alcoholic mother, Murf’s ex-wife Louise. Louise’s sleazy boyfriend, Vince, who’s in debt to a drug dealer, persuades Dani to dance at the appropriately named Two-Bit Bar. When Murf gets wind of Dani’s situation, saving his daughter takes precedence over all else. Despite the title, there’s very little cyberwar in this thriller; much of the narrative instead focuses on the lead-up to the attack. News reports of various transgressions of the North Korean government create a feeling of imminent danger, however, and Dani’s seemingly unrelated plotline is consistently intense. Her story, in fact, features a character that’s even more indelible than Murf: Doc, a biker-club physician and former battlefield medic who befriends Dani and tends to her when she’s injured. McDonald maintains the momentum throughout by employing alternating perspectives of various characters and very short chapters and scenes. Although Murf gets few opportunities to validate Fort Apache, he does prove himself a hero in the action-packed final act.

Primarily an introduction to the protagonist and his fortress, but its solid writing promises a worthy series.

Pub Date: Oct. 10, 2017

ISBN: 978-0-9993686-2-6

Page Count: 522

Publisher: CreateSpace

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: March 15, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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