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DON QUIXOTE GOES TO YALE

An amusing yarn about a student whose love of literature takes him on a dangerous journey.

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A Don Quixote fan at Yale University discovers a letter that speaks of hidden treasure in Spain in this thriller.

Michael Porter, a senior literature student at Yale, has become somewhat obsessed with Don Quixote. Michael pores through Cervantes’ novel in both Spanish and English and mopes around campus, often making conversation with his imaginary friend, Boomie. Michael’s girlfriend, Liz Mansfield, a wealthy student interested in finance, is hoping that after graduation Michael will join her and work at Merrill Lynch. As those jobs will be arranged by Liz’s dad, Michael is not overly excited about the prospect; nor is he looking forward to the couple’s trip to St. Thomas. Michael thinks that there are clues in Don Quixote to hidden riches and pretends to be a graduate student to look through some Cervantes documents at the library. He confides in Liz, but she tells him, “The reality is that we’re graduating in two months, and fiction has to take a backseat to life.” She insists, along with professor Colin Edwards, that fiction isn’t real and that the Man of La Mancha has not provided a treasure map. But in the depths of the Beinecke Library, Michael finds an unknown letter, stuck to the back of another, that purports to give the booty’s location. Lost in a literary fantasy, Michael skips the trip to St. Thomas and heads for Spain. Hot on his trail are Liz, the professor, and even Liz’s parents, and Michael soon realizes that he is not the only party in a desperate search for the loot. Halaban’s (The Vermeer Conspiracy, 2015, etc.) novel is a fun and lighthearted adventure that is definitely smart but doesn’t take itself too seriously. Nestled in the comfortable halls of the English Department, Michael’s literary knowledge and his fantasies have become one, and the real-life peril appears in Spain from such eclectic villains as an old forger, knife-wielding monks, and descendants of the Aztecs. The third act, however, goes on for far too long and becomes too crowded with characters. But overall, this is an enjoyable story that offers Gothic elements and archaic intrigue in a search for buried secrets that may or may not exist.

An amusing yarn about a student whose love of literature takes him on a dangerous journey.

Pub Date: June 15, 2017

ISBN: 978-1-62901-487-6

Page Count: 252

Publisher: Inkwater Press

Review Posted Online: Oct. 28, 2017

Kirkus Reviews Issue: Dec. 15, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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