A rambling, intricate, and highly amusing tale of cyberpolitics and spycraft.
A debut comic thriller tells the story of a tech developer forced to go up against his own inventions to save the world.
Hacker Ralph Gibsen has worked in Silicon Valley for decades, gaining experience across the industry by saying yes to every opportunity. Now in middle age, he works as an angel investor in altruistic companies: “Clam Pie made small investments in tech companies that tried to make the world a better place.” Unfortunately for Gibsen—who, in his personal life, is something of a hapless buffoon—he can’t always control who employs his technology or what they use it for. After he invents a tool that studies the human mind in order to pinpoint the exact moment a student learns something, he discovers that certain parties may be harnessing it to try to brainwash the public. What’s more, Gibsen may or may not have been acting as an unintentional spy. He’s forced to rely on some rivals, acquaintances, and strangers—who also may or may not be spies. (Even his own wife, Jen, might be one.) But can he trust them as he deals with the people coming after him? Can he even trust himself? Vachon’s prose is often dense with the jargon of technology and investment but manages to animate even these subjects with a pulpy energy: “After four hours on the third day, the Parties to the agreement finally declared themselves amenable to the deal. Ralph wasn’t happy with the final product, but neither were his new partners.” Gibsen is an oddly compelling protagonist: Not quite an Everyman, he nevertheless frequently finds himself in over his head. The author delivers a complex, meandering plot with frequent hops between years and continents and a wryly conspiratorial worldview that feels more akin to Thomas Pynchon than Tom Clancy. Vachon certainly takes satirical views of Silicon Valley, the global economy, and the intersection of technology and authoritarian control, but the novel never gets preachy and usually errs on the side of theatrics.
A rambling, intricate, and highly amusing tale of cyberpolitics and spycraft.Pub Date: Oct. 23, 2019
ISBN: 978-1-947521-13-1
Page Count: 386
Publisher: Genius Book Publishing
Review Posted Online: Nov. 13, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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