Some pieces are stronger than others. The content of Wescott’s previously unpublished stories may be uncomfortable for some.
A posthumous collection of short stories and essays by Wescott (1901-1987), arranged to reflect autobiographical continuity, includes previously unpublished pieces with explicitly sexual and gay themes.
Poet, essayist and acclaimed novelist Wescott (Pilgrim Hawk, 1940, etc.) may not be as familiar to the average reader as many of his contemporaries, but his works live on thanks, in part, to editor and biographer Rosco. The Wisconsin farm boy ascended from humble beginnings to consort with the crème de la crème of literary and political society during the early years of his career. A prolific writer while abroad, Wescott moved comfortably among the expatriate community in Europe during the 1920s and early ’30s and published many of his observations in magazines—often using his fictional alter ego, Alwyn Tower, as narrator. In “Mr. Auerbach in Paris,” he depicts an elderly, sight-impaired Germanophile who laments Germany’s defeat during World War I as he buys copious amounts of French artwork. In the frankly sexual title story, the narrator travels by bus to pursue an encounter with a man who reputedly has physical attributes much like the mythical Greek god Priapus. France’s lack of preparedness on the eve of World War II is the subject of “The Frenchman Six Feet Three.” After donning an ill-fitting uniform and completing two weeks of reserve military service, Roger Gaumond despairingly tells his friends (who are preparing to leave the country) that France cannot survive the coming war without intervention from the U.S. and Great Britain. Also included in this collection is the heretofore unpublished “An Example of Suicide,” a meticulous examination of human thought processes and our belief that, once committed, we must follow through with actions. It’s an excellent story and worthy of inclusion in any top-notch anthology. But other pieces disappoint for their disproportionately heavy-handed, elliptical writing, including the tedious “The Odor of Rosemary” and the blurry “Sacre de Printemps.”
Some pieces are stronger than others. The content of Wescott’s previously unpublished stories may be uncomfortable for some.Pub Date: Nov. 7, 2013
ISBN: 978-0-299-29690-2
Page Count: 200
Publisher: N/A
Review Posted Online: Sept. 17, 2013
Kirkus Reviews Issue: Oct. 1, 2013
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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