Engaging enough to whet the appetite of those readers unfamiliar with Shakespeare’s family life and times, but there’s no...
Shakespeare is hot, a fact shown not long ago by the success of Shakespeare In Love. Now Tiffany debuts with a strange little fantasy spotlighting the Bard’s daughter Judith.
Shakespeare had three children by Anne Hathaway: first Susanna, then the twins Judith and Hamnet, Hamnet dying, from unknown causes, while a child. Author Tiffany, English professor and Shakespearean specialist, has invented a drowning for him to launch her tale. The boy is Judith’s ideal playmate in their wildly imaginative games, while in the background is their volatile mother, chafing at William’s long absences in London, which so distress Hamnet that Judith casts a spell to bring her father home. The spell calls for dunking themselves in the Avon, which causes Hamnet’s accidental drowning. Judith is overwhelmed by guilt, then by rage at her father after finding a discarded scroll of Twelfth Night. She concludes he’s exploiting Hamnet’s death: and this calls for his exposure, and for her public atonement. So, at 14, Judith steals away to London. Still flat-chested, she changes into boy’s clothes, finds a job at a tavern, and lands a bit part with her father’s company. All this happens with a dreamlike ease, a fast pace and a jaunty tone helping mask the many improbabilities. When the older boy actor Nathan Field threatens to expose her as a girl, she buys his silence by sacrificing her virginity, all in a day’s work for this bold lass. She then tricks Nathan out of the part of Viola and has her moment of glory at the Globe before her father recognizes her and returns her to Stratford. The great adventure of Judith’s life now over, the story runs out of steam: Its final third covers her quiet life back home and marriage, years later, to a local vintner.
Engaging enough to whet the appetite of those readers unfamiliar with Shakespeare’s family life and times, but there’s no meat here for the more sophisticated.Pub Date: May 6, 2003
ISBN: 0-425-19003-X
Page Count: 304
Publisher: Berkley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2003
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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