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THE ORPHAN SISTER

The youngest of triplet sisters asserts her identity in Gross’ fourth novel (The Other Mother, 2007, etc.).

Although all three girls are very close, Clementine’s minutes-older sisters Odette and Olivia are identically beautiful and communicate with a telepathy Clementine, the odd sister out, can never quite match. Odette and Olivia are also both Harvard-educated, happily married doctors and currently pregnant. In contrast, Clementine graduated belatedly from Oberlin (barely acceptable to her high-achieving family) and is now living in her parents’ garage apartment in Princeton while applying to vet schools. She is also single, not yet over the drowning death of her college boyfriend Cameron. Then the triplets’ highly regarded, much sought-after neurosurgeon father doesn’t show up for his rounds one day and remains missing for more than a week. Dr. Lord has been a frequently absent but authoritative, demanding and loving über-dad who has left the day-to-day running of the family to Clementine’s mother, an accomplished and highly educated woman who gave up her career to care for him and the girls. When it becomes apparent that Dr. Lord has told only Olivia where he is, schisms begin to divide the triplets and their mother in new ways. Olivia and Odette no longer seem quite as much alike or united. Their mother’s utter faith in her husband begins to crack. And Clementine realizes that her friendship with Cameron’s roommate Eli, who is doing graduate work in Princeton, is deeper and perhaps less platonic than she’s tried to believe. Dr. Lord’s secret is anticlimactic. But the novel is less concerned with the vaguely out-of-sync details of Dr. Lord’s crimes than with the coming-into-selfhood of Clementine. At its best, the novel delves into the sister relationships, but the triplet hook only goes so far to mitigate the annoying entitlement of the characters and the heavy-handed if familiar plot.

 

Pub Date: July 19, 2011

ISBN: 978-1-4516-2368-0

Page Count: 304

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: June 28, 2011

Kirkus Reviews Issue: July 1, 2011

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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