Gross gets many emotional details about marriage and the intensity of mother-love right, but she milks her trendy issues to...
Gross (Getting Out, 2002, etc.) pits working mother versus stay-at-home mother in yet another fiction about women’s ambivalent struggle to combine work and family.
Amanda and her lawyer husband Aaron move from Manhattan to the New Jersey suburbs shortly before their baby Malena is born. When a tree falls on their house during a storm, their neighbor Thea and her rock-solid husband Caius invite them to stay in their house. Grateful for Thea’s generous hospitality, Amanda is intimidated by her graceful competence as a housewife and mother. Thea, who has never worked while raising her three children, is jealous and resentful of Amanda for having a new infant to love. Although Amanda senses Thea’s disapproval of her decision to return to work as a book editor, desperation drives Amanda to hire Thea as a babysitter. The women distrust each other yet feel drawn toward friendship. One Friday after a near disaster, they share a kiss of affectionate relief that is vaguely sexual. The following Monday, Thea, uncomfortable with the kiss and afraid she’s growing overly attached to Malena, quits as babysitter. The women’s friendship sours. When dead animals start appearing on Thea’s doorstep, she suspects and eventually accuses Amanda. Thea clings to her hostility even after Amanda and Aaron rescue Thea’s daughter Carra, who has seriously injured herself while trespassing in their yard. Finally, an Outward Bound trip for Thea, as well as Aaron’s close call on 9/11, give Thea and Amanda a sense of perspective. The narration moves back and forth between the two women. Neither recognizes the other’s insecurity, each is jealous of the other, but the balance of sympathy is weighted toward neurotic Jewish Amanda, who has a sense of humor about her shortcomings that uptight Episcopalian Thea lacks.
Gross gets many emotional details about marriage and the intensity of mother-love right, but she milks her trendy issues to didactic death.Pub Date: Aug. 14, 2007
ISBN: 978-0-307-35292-7
Page Count: 288
Publisher: Shaye Areheart/Harmony
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 15, 2007
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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