by Hannah Rials ‧ RELEASE DATE: N/A
An exceptional sequel courtesy of driving plot and remarkable protagonist.
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In the second installment of Rials’ (Ascension, 2016) YA paranormal series, a uniquely powerful human-vampire hybrid must decide her part in an imminent revolution against dominating vampires.
Seventeen-year-old Cheyenne Lane and her bestie, Anne Lacroix, both human-vampire Deuxsang, are prisoners. Their own families have restricted them to Anne’s room for a couple of weeks until classes begin at Clandestine. The college for Deuxsang students offers academics as well as physical training to aid the Deuxsang in mastering a specific ability. While most hone one ability out of a possible four, Cheyenne is already capable of two—compelling and inflicting—and may be able to learn them all. She’s miserable at Clandestine, however, separated from Anne and constantly monitored by her personal guard, Hugo, not to mention having no contact with her witch love interest, Eli. Cheyenne soon infers her family wants her at the college for critical training. If she masters all four abilities, she can be a weapon in a revolt against the vampires and its ruling Council. It isn’t long before Eli and his witch kin manage to get a message to Cheyenne. As it happens, they are likewise invested in overthrowing the vampires but want to protect her from the vamps, as her potential power rivals that of the Council chairman, Lamia. This incites Cheyenne into further training so she can join the fight even as the witches and the Deuxsang are at odds. She’s thrown, however, by startling new information concerning both the Deuxsang’s origin and the real reason the vampires are interested in Cheyenne. At the outset of the second installment, Rials plunges right into the action, making readers’ knowledge of the series opener a necessity. This establishes a steady pace from the beginning. Moreover, interesting surprises abound, like the identity of “the most powerful vampire in history.” The novel’s highlights are scenes of Cheyenne training, mostly inflicting, which is easily her most intimidating skill: She breaks noses, pulls bones out of sockets, and wills someone’s “skin to squeeze his bones.” There are unfortunately few particulars on another stellar ability, dreamwalking. But Cheyenne’s difficulty in mastering this showcases Rials’ subtle humor; when she steps into one of Eli’s dreams, she’s just as shocked as he is. In fact, Cheyenne spends much of the story in a bewildered state, which the author perfectly captures. Readers, for one, will understand her growing sense of distrust: Her own family forced her into Clandestine, and it seems that everyone wants to exploit her gifts. Though the novel has unmistakable shades of Twilight and Harry Potter, there are also nods to popular fairy tales. Cheyenne’s first meeting with her boyfriend’s mother, for example, is via a magical mirror, while the teen, in lieu of evil stepsisters, must contend with evil brother-in-law Thomas. The inevitable confrontation among vampires, witches, and Deuxsang leads to an exhilarating ending that sublimely sets up a third installment.
An exceptional sequel courtesy of driving plot and remarkable protagonist.Pub Date: N/A
ISBN: 978-1-935426-04-1
Page Count: -
Publisher: Aletha Press
Review Posted Online: June 22, 2018
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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