An exceptional sequel courtesy of driving plot and remarkable protagonist.


In the second installment of Rials’ (Ascension, 2016) YA paranormal series, a uniquely powerful human-vampire hybrid must decide her part in an imminent revolution against dominating vampires.

Seventeen-year-old Cheyenne Lane and her bestie, Anne Lacroix, both human-vampire Deuxsang, are prisoners. Their own families have restricted them to Anne’s room for a couple of weeks until classes begin at Clandestine. The college for Deuxsang students offers academics as well as physical training to aid the Deuxsang in mastering a specific ability. While most hone one ability out of a possible four, Cheyenne is already capable of two—compelling and inflicting—and may be able to learn them all. She’s miserable at Clandestine, however, separated from Anne and constantly monitored by her personal guard, Hugo, not to mention having no contact with her witch love interest, Eli. Cheyenne soon infers her family wants her at the college for critical training. If she masters all four abilities, she can be a weapon in a revolt against the vampires and its ruling Council. It isn’t long before Eli and his witch kin manage to get a message to Cheyenne. As it happens, they are likewise invested in overthrowing the vampires but want to protect her from the vamps, as her potential power rivals that of the Council chairman, Lamia. This incites Cheyenne into further training so she can join the fight even as the witches and the Deuxsang are at odds. She’s thrown, however, by startling new information concerning both the Deuxsang’s origin and the real reason the vampires are interested in Cheyenne. At the outset of the second installment, Rials plunges right into the action, making readers’ knowledge of the series opener a necessity. This establishes a steady pace from the beginning. Moreover, interesting surprises abound, like the identity of “the most powerful vampire in history.” The novel’s highlights are scenes of Cheyenne training, mostly inflicting, which is easily her most intimidating skill: She breaks noses, pulls bones out of sockets, and wills someone’s “skin to squeeze his bones.” There are unfortunately few particulars on another stellar ability, dreamwalking. But Cheyenne’s difficulty in mastering this showcases Rials’ subtle humor; when she steps into one of Eli’s dreams, she’s just as shocked as he is. In fact, Cheyenne spends much of the story in a bewildered state, which the author perfectly captures. Readers, for one, will understand her growing sense of distrust: Her own family forced her into Clandestine, and it seems that everyone wants to exploit her gifts. Though the novel has unmistakable shades of Twilight and Harry Potter, there are also nods to popular fairy tales. Cheyenne’s first meeting with her boyfriend’s mother, for example, is via a magical mirror, while the teen, in lieu of evil stepsisters, must contend with evil brother-in-law Thomas. The inevitable confrontation among vampires, witches, and Deuxsang leads to an exhilarating ending that sublimely sets up a third installment.

An exceptional sequel courtesy of driving plot and remarkable protagonist.

Pub Date: N/A

ISBN: 978-1-935426-04-1

Page Count: -

Publisher: Aletha Press

Review Posted Online: June 22, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...


Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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